In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.
But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).
In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.
imdb comment
最后新的酒店为啥不做完整 不会是没钱了吧 完结得好平淡 我必须试试棉花糖是不是真的能烤成这样！
虽然整体剧情显得比较公式化套路化，但创作思路从头到尾很简单很明确，并且贯彻的也不错，德古拉与人类身份互换也很好地映照了这一点。同时也并没有强行制造笑点，而是用角色本身的特性去制造相对应的笑点，总体观感上非常不错看得很开心，至少比今年在院线上映的所有喜剧片好笑那么一点，也比今年奥斯卡最佳动画长片好那么一点。
#是也乎
我以为是我记错了，adam确实没配第4部德古拉，1到4水准差太远，不看又难受就是因为系列开篇太好了。
>朕给你的才是你的，朕不给你，你不能抢。这是人情。
木乃伊，隐形人，弗兰肯斯坦，狼人和吸血鬼父女都很可爱。
两小朋友下毒的设定真是惊着我了，全村人一起作假隐瞒也是牛逼。案件比较中规中矩。道枝骏佑这少年感这颜值，加油吧，向泷泽秀明社长和山p看齐。
案件应该大家都能猜到但还是蛮感动🥲michi耳朵好小喔突然发现！以及我也能get到一个冷笑话了！
我觉得不错，可能正好心情在，不过三星半足以
If you only see the worsen things, you will miss the best part of it. 虽然没有太多搞笑惊喜，但总有收获哈哈哈
无法形容这部大结局有多么令人失望，全方位的差，连说是虎头蛇尾都侮辱了蛇，这两年传统大厂动画连续翻车，无关技术，只是愚蠢的价值观再次占领了高地而已，而将一部传统家庭议题的动画结局做成一部彻彻底底的无脑闹剧却没有那哪怕一点儿值得思考的东西，SONY是真的有一套。
整体没那么差，比较一般。故事大纲是可以的，但完成的不够精彩，不够尽兴。
杉咲花的角色的出场，让我觉得第二季的木村文乃的人设也没那么不讨喜了。看似整个案件扑朔迷离，但从一开始的犯案与动机就站不住脚，后面居然也能变成冤案...（西岛秀俊演得不错，道枝骏佑就emmmm
的确是大结局了，终于看到他们属于人类的真身！
先看sp还是挺有必要的。小花比sp里面可爱了。本润怎么嘴越来越歪了。另外，希望阿姨能明白，捧人是要有限度的，强捧遭天谴啊
巴西媒体:热带雨林惊现奇怪生物活动痕迹，貌似现在还有人类活动迹象。
电影版和SP也没差多少。小村子熟人社会共同犯罪好老套啊……木村文乃和荣仓奈奈双双回归算个亮点吧
美中不足的是，本片在思想意识上较为杂糅甚至矛盾，你到底是支持改变还是支持还原呢？还有，本片的主题到底是探讨改变，还是探讨事物的两面性？
比三还是要好一点的吧，怎么分这么低，给个五星拉一拉，毕竟也最后一部了（还有德古拉骑约翰尼时想起驯龙高手了）
可能近两年跟孩子看了太多没有想象力的动画了，今天在影院看完这部有太多惊喜，不仅是看到了早年皮克斯才能看到的天才点子，也真的有趣。本以为自己会睡一觉没想到几乎笑了全场，以至于回家后立刻想去找前三部补习！
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