剧情介绍

  Daniel Mays (Line Of Duty, Rogue One: A Star Wars Story, Public Enemies) stars in BBC Two's powerful factual drama as Peter Wildeblood, a thoughtful and private gay journalist whose lover Eddie McNally (played by newcomer to television, Richard Gadd), under pressure from the authorities, turned Queen's evidence against him in one of the most explosive court cases of the 1950s - the infamous Montagu Trial.
  More than ten years before the decriminalisation of homosexual acts in 1967, Peter Wildeblood, and his friends Lord Montagu (Mark Edel-Hunt) and Michael Pitt-Rivers, were found guilty of homosexual offences and jailed.
  With his career in tatters and his private life painfully exposed, Wildeblood began his sentence a broken man, but he emerged from Wormwood Scrubs a year later determined to do all he could to change the way these draconian laws against homosexuality impacted on the lives of men like him.
  Daniel says: 「I'm incredibly proud to be part of a drama that tells such an important real-life story. Peter Wildeblood is a fascinating, complex, yet flawed character from a time when being a gay man in Britain was incredibly difficult - I can't wait to bring his tale to life for the BBC Two audience.」
  Patrick Holland, Channel Editor, BBC Two, said: 「50 years ago, it was a crime to be a gay man in the UK. Against The Law is a stunning piece that melds drama and documentary testimony to tell the story of one man, and his wider generation, as they struggled to make society accept their sexuality as non-criminal. It is brilliant to have a film that brings the authorship of Brian Fillis, the vision of director Fergus O'Brien, and the outstanding talent of Daniel Mays and cast to this important subject」
  The drama also features Mark Gatiss (Taboo, Sherlock) as Wildeblood's prison psychiatrist, Doctor Landers and Charlie Creed-Miles (Ripper Street, Peaky Blinders) as Superintendent Jones.
  Woven through this powerful drama is real-life testimony from a chorus of men who lived through those dark days, when homosexuals were routinely imprisoned or forced to undergo chemical aversion therapy in an attempt to cure them of their "condition". There is also testimony from a retired police officer whose job it was to enforce these laws, and a former psychiatric nurse who administered the so-called cures. All of these accounts serve to amplify the themes of the drama and help to immerse us in the reality of a dark chapter in our recent past, a past still within the reach of living memory.

评论:

  • 缪飞瑶 0小时前 :

    引起生理性不适的**电影,*他*的叛国丧子自闭扫地僧跟受气包单亲小奶狗的组合看过八百遍了暂且不提,能不能有点guts别**拽着南北矛盾就当国家名片啊,搁这整了个《闻香识女人》+《死亡诗社》+《心灵捕手》的究极缝合怪,**导演和脑瘫投资人是不是以为只要有崔珉植哪怕是配上圣光滤镜和不知所云的诗意(脑浆)台词也能碰瓷阿尔帕西诺?不怕瞎眼老教父拄着盲棍带着喷火器把你*骨灰都扬了?这样的电影也能得奖**的朴赞郁李沧东要连夜拿硫酸把家里奖杯擦一遍。拙劣的模仿!

  • 藩幼荷 8小时前 :

    原来数学也可以这么有趣!前半段我真是太喜欢了!

  • 锦驰 4小时前 :

    有钱果然是可以为所欲为的. 不过女主为什么会喜欢上男主, 有点莫名啊

  • 骏轩 9小时前 :

    但愿我也能成为这样优秀的老师

  • 玉美 8小时前 :

    最后想看看片尾字幕说明“黎曼假设”,结果没有,那就说故事都是虚构。朝鲜不可能有这么伟大的数学家,导演思维发散拍了这么个剧本,看完有点无聊。“圆周率钢琴曲”的情节也不知真假,凭3.14能循环出这么好听的曲子么。说那个男孩游水往北,纯粹胡扯不可信,哎,看个电影,各种猜想,比数学家还烦。

  • 赤依霜 4小时前 :

    加入南北背景的韩国版垫底辣弟(?)+爆米花版万物理论,但崔岷植的演技和成熟的韩影商业电影叙事手法让整部片有了一定的厚度。台词写得很好,节奏流畅的,结局温暖。

  • 雅采 4小时前 :

    生命充满了伤痛也充满了美好,这是能量守恒定律。一个人是活在阳光中还是活在阴暗中取决于你面向阳光还是面向阴暗。简单的说是多米诺骨牌的第一块,往北倒还是往南倒,开头决定结尾。

  • 瓮冰真 8小时前 :

    #脱北者

  • 蔺雅可 0小时前 :

    《七囚》是一部张力十足的惊悚片,讲述如今经济衰退现状的黑暗一面,以及人在其中的挣扎,深入探讨了何为权力、团结和背叛。该电影由获奥斯卡提名的制片人费尔南多·梅里尔斯(《上帝之城》)和拉敏·巴哈尼(《白虎》)制作,是编剧兼导演亚历山大·莫拉托(《苏格拉底》)的第二部剧情片,凭此确认了他作为巴西电影界新生力量的实力。

  • 粟靖荷 4小时前 :

    反套路,始终相信小伙儿的心是善良的。在中段反问自己,选择和他一样。

  • 花玉泽 7小时前 :

    且不论民族自尊心和各种尴尬牵强的设计,最后落脚的主题不错,但铺垫不够吸睛和优秀,总体来是处在不自然中的普通展现。

  • 飞畅然 2小时前 :

    重要的不是结果, 而是得到结果的过程. 我们在人生当中总是在追求一个又一个的结果, 有时甚至忘记享受当下追寻的过程. 数学如此, 研究亦是如此...对于即将进入博士课程的我来说, 享受在研究的本身会比焦虑如何毕业,以及如何超越他人而更加有意义和快乐!

  • 管涵蕾 6小时前 :

    很奇怪,用铅笔 粉笔 钢笔 就能呈现一部脱北题材的电影。

  • 谏丹彤 3小时前 :

    如果不考虑政治因素,这片子前1个小时可以看,后面基本上属于狗尾续貂,愣是要升华主题,但实际矛盾和高潮已经错过,1个小时候就会显得很尴尬。但如果加上政治因素……你就看这个名字,就知道棒子们想干啥了

  • 漫凌 2小时前 :

    我不想去care拍片人的意图,这样的两个人,这样的情谊,很难不动容,

  • 锦文 3小时前 :

    底层受害者如何演变成加害者的过程。预期内的都拍出来了,可还是差了一点。到最后男主还在纠结,导演还在给观众希望,这结局太温柔了。

  • 美馨 0小时前 :

    篇幅不长不短,力度恰到好处,结局也没有所谓的神反转,确实很多巴西电影的灵魂都来自上帝之城,虽然绝无后来人能达到前者的水准,但有这样一个现实积淀的题材库就不愁拍不出生猛的作品,再者,烂片库奈飞也终于出了部能看的片子

  • 辉芦雪 7小时前 :

    ᐈ我跟你一样来自一个粪坑,在一条污水明渠旁边的棚屋长大ᐈ这个优秀的电影,没有任何多余的音效,最真实的生活投影

  • 洲锦 9小时前 :

    7/10 以为要开启新生活的少年,殊不知自己陷入了卖身一般的深渊。从最开始的反抗,到之后慢慢变得服从,曾经的工人也背叛了工人阶级,反而站在资本的一方。整体意外地还不错,只是男主的挣扎可以再深刻一点,结尾的处理可以再有戏剧冲突一点。

  • 郭秋柏 5小时前 :

    自怜是一直可怕的疾病

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