Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
再也没有次回预告了。
对于老EVA粉丝来说，这是真正的人类补完计划，补完了我的一个梦。看完的感受就是满足，十分满足，没有任何想吐槽的地方。这就是成人化的剧情对成人后的观众的温柔。面对纷乱的世界，很难不开始理解碇源堂的选择——只要能与相爱的人再会，毁灭世界、精神大同有何不可？而结局包容和谅解了一切：只要相爱，就能与相爱的人再会。
不明白这个评分，TV版结局如果作为TV版确实很好也没毛病，但在拖了这几部新剧场版之后用这次作为最后的收场其实我觉得很合理。很多人说的cp的问题其实在最后的时候也好好解释了，我并没有觉得非常非常不合理...当然如果玛丽不出现的话TV版的香结局就很正常了。十分叹息，趁着今天去看和旁边一个陌生的朋友几乎在同一个场景同时在黑暗中开始抽泣，感受到了成为大人的不容易。画里的少年长大了，画外的人们也一样成为了大人。
怎么就剧终了啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊呜呜呜呜呜呜呜呜呜呜呜呜呜呜呜！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！！
どうしても納得いかなかったけど、今考えばこの納得できなさもまさにエヴァンゲリオンだった。
最难过莫过于，别人提醒你，她为你付出了性命，记得救下她的灵魂。你一开口却是另一个人的名字：绫波。结果你的结局里还是没有她。选了个胸大的……
EVA开播的时候我只有三岁，引进国内的时候我上小学，当成普通机器人动画看了。
续集想好了：让世界感受痛楚！我要创造一个有丽和香的世界！
感谢庵野秀明，操，我他妈被补完了!
感天动地，痴情父对抗世界逆天改命求亡妻。大义灭亲，不孝子广开后宫手撕亲爹醒醒吧。
真嗣和明日香本来就不怎么般配，眼镜娘于我也有点儿奇怪，那句中文"再见"是啥意思？
如果你不是认真看过TV版旧剧场版的EVA粉丝，那么这只是一部8/10的高水准动画，可你会觉得没那么劲爆精彩，尤其剧情有些莫名奇妙。而如果你是EVA的老粉，那么这就是一部10/10的属于你的青春纪念诗篇。
真正的成熟不是为了一个理想而高尚地死去而是为了一个理想而苟且的活着……か
原来一直都纠结在我没有看懂这一部，但是看了几条短评以后我释然了，这部终结篇看懂与看不懂其实不重要了，重要的是终于要和这个ip说再见，淀真嗣长大了，我也告别了青年向中年迈进。
千言万语汇成一句话：这都多少年了3D建模建成这样？
所谓长大成人，就是当我们面对这个肮脏的世界时，发现不全是坏事。
众望之下没有拉跨，还是很不容易的，四星可以有。凌波党和褚熏党应该很满足。我就两个困惑，《Q》最后预告片里有2号机和8号机合体，这段是假的么；然后真希波《破》里还偷偷潜入总部《Q》里一开始咋就和总部老员工愉快地合作了，这剧情坑是忘了填还是咋地。emm…和老TV版比，最大的不足就是所有配角的形象都被弱化了，其他不说，律子姐姐作为老版最悲情人物（相继被家人和爱人抛弃，她不最惨谁最惨），新版里完全变成台词机，不过最后二话不说直接爆头司令也是挺爽。
一个合格可以接受的结局，所有人互相理解突破自我得到了救赎，可能对于宅男们来说cp结局是有点坏，不过也算功德圆满了，能拍成这样至少痞子是有用心 比20年前的恶意结局和Q的混沌要好不少。最后看着cast感慨很多，20多年前真的是声优的黄金时代啊。
2022年5月，无意间点开重看，看得我很不耐烦，大部分时间里在快进。拿掉情怀的滤镜后，我感受到了庵野秀明的焦虑，一种没屎可拉，但是又没拉干净，坐在马桶上进退两难的焦虑。
奧特曼的音樂，特攝場景，皇家宇宙等元素通通能看到。在這兩年每隔一段時間還是會翻看一吓EVA終，永遠都是那種感受，碇源渡說的每句話，猶如庵野經歷的獨白，真嗣的成長也猶如庵野一樣般。每次看到明日香那段心裡總是有點心酸，當初我吃過你給我做便當我喜歡上你，真嗣和她在海灘說謝謝你喜歡過我。走吧，這次把你救回來了，看似活著就好。黑麗在第三村時候學習到的對一切的好奇，就猶如一個純潔的人學習和接觸到的人與事都是美好的沒有半點污垢，她為了自己活著。結果她還是沒辦法生存下去，消失此盡。讓人心酸。就像讓你看到新的麗出現卻被再次摧毀。但這也是讓真嗣真真正正的從新面對了自己。眼鏡娘和真嗣像走在一起也挺好的。列車場景熏和綾波，明日香當時一個人。怎麼也好，完結美滿。如果可以給多個美莉和加持的畫面那該多好...
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