Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.
This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
整个故事里所有人除了Wanda 都毫无计划，情节推进全靠意外，应对的方法全是打架，各种打架，翻来覆去的打架，这个故事如果能换成Wanda视角应该能好很多吧。
惊喜不少！卡特队长，黑蝠王，黑惊队等等…总体感觉就是太赶…其他不说…惊队居然被压死的…怎么可能…单挑灭霸的存在…感觉是为了时长随便安排她去死…听说改了又改…希望有导剪…
記憶深刻的部分不多，就只有從原宇宙被炸到他宇宙之間那一長串的CG轉場令人記憶深刻，音符攻擊的部分腦洞也很大（但覺得有點幼稚），特效真的推，劇情也真的是還好
2022實體電影第一場：很不錯的爆米花電影，適合週中下班去看，沒有這些視覺效果的電影估計會睡著。同事的評價挺中肯“不是不好看，但是不是期待的Dr Strange”。
其实有点失望，还是更喜欢奇奇第一部。这部有点没头没脑，向恐怖风格的尝试还是有点子不适。但是真的心疼steven，每个宇宙都不能和爱人在一起。
因为疫情时隔两年多后重新进了电影院，看的 imax laser，音效和视觉冲击力都很棒，有着白树的纽约接头就是剧情有点乱，然后场面有点血腥+惊悚，原来导演喜欢拍恐怖片。。。
场次正好和FA Cup决赛撞了，看完电影发现比赛居然没完，开始点球了，立刻跑进隔壁pub看了紧张的结局。在另一个宇宙里可能90分钟内就定胜负，完全一个错过哈哈
I love you in every universe.
好多jump scare，不过还挺喜欢这个风格的～很喜欢🎵打架这段！
奇异博士变二郎神真的吓到我了，猩红女巫真无敌强。
音符那段好喜欢！（小女孩演技挺拉垮的 片片戏份还很多）还有个问题 为什么章鱼总是怪物的原型？
大概可以算是最近一年里漫威最好看的一部 （不过旺达确实疯得有点夸张……
还行 差强人意吧算 缺点就是为了剧情削弱人物的塑造让人觉得人设太干巴巴 还有一些降智和战力失衡 优点是视觉效果
哇，妮妮合约到期了。竟然是阿汤哥接班，是我没想到的！！
本质上是一部以魔法与平行世界为载体的公路片，美国小姐的形象就像是魔法出租车，让旺达和奇异博士二人通过面对另一个世界的自己来修补内心的缺口
纯粹而又真挚的爱意早已佈满了每个宇宙有你的各个角落，哪怕它让我们癫狂的沉沦深陷…
jump scare太多了……don’t startle the witch :)
旺达黑化是肯定的，但是没想到黑化得这么简单粗暴，毫无弧光。最后醒悟也极不具说服力。好不容易塑造的旺达这个曲折的角色是玩废了。我倒觉得漫威是真不想要旺达这个角色了，即便有那么多的前作来塑造。经此一役旺达再怎么洗白也满是槽点。漫威真的脑瘫。个人看法，强烈希望被打脸。还有白幻视被cue要到猴年马月了。
场次正好和FA Cup决赛撞了，看完电影发现比赛居然没完，开始点球了，立刻跑进隔壁pub看了紧张的结局。在另一个宇宙里可能90分钟内就定胜负，完全一个错过哈哈
作为恐怖片迷，我很喜欢这部电影。好过《英雄远征》，远超这两年的漫威电影水平，导演水平不赖。
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