The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
意外的还不错,台本还是蛮精彩的,职场小剧迷人之处都点到了
这部片子治好了我害怕狗斯特的臭毛病,太好笑了哈哈哈哈
虽然没明确交待魔鬼是何方神圣,但相互驱逐的戏码,人类做为工具人的设定,没有尿点的叙事,都是可以称赞的地方。
7.2
那女的不是没死吗?为啥说她好像死了
景色与调色都挺舒服的给个一星~故事就简单平淡了点~给个一星~LAST隔离日
有点老套,请问最后意思是上帝把人间交给恶魔?
反正两拨人,谁能把窗户喊碎了,谁就能赢。。。狮吼功是永远的真神。
创意加分,从结局看来
办公室恋爱搞得不好就可以用职场性骚扰给你开掉 现实生活中谁来试试看
很多jump scare,无语,不过设定很有意思,感觉续集好好拍下正邪对战会很有意思,没想到最后居然是邪恶胜利了。
从高潮反推这个剧,前一个小时都在瞎写吧,魔鬼要把上帝驱逐出神父的身体,这个点挺爆的,天堂和地狱像一个牌局,人只是双方较量里的一张纸牌。梵提冈都被渗透了,神父忙着驱魔和给孤儿院做善事?然后和魔鬼互驱就是比谁的嗓门大吗?这种陈旧的路数配不上这个概念,明明能做成佛跳墙的一道菜变成了乱炖,真挺可惜的。
The exorcism of god,英语好的同学们可以多读几遍,对,就是这个意思,如果普通exorcism后面隐藏的定语是of demon,那这个片名要表达的意思就很明显了
这种片子每次都是魔鬼胜出,服了,上帝的代言人都这么脆弱,驱魔还能讨价还价的,上帝被驱了就瞎扯呢
故事是有感染力的,神父的愧疚跟不安展现得非常好。
故事梗概:
sex tension is there.女主年轻还能看看,年纪大了还是得转型。。
驱魔失控结孽胎,惭恨萦怀口难开。
我不想看懂,作为恐怖片是十分的不好看!整个电影的节奏稀碎。后面是丧尸吗?干啥呢那是,比谁嗓门儿大嘛吗?
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