The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
唔，轻松的小甜片，不再存在身份认同问题，不再存在任何歧视和迷茫，让人感到心脏一紧的只有你真正的爱属于谁，姬片也有这样的标准喜剧青春校园作品了啊，完全的开放，真好。
太喜欢这种美式青春荷尔蒙糖水片了，且还是酷儿，他们的父母好开放，不干涉孩子出柜与否。他们的高中教育和我们最大的不同就是尊重并充分发掘自己的兴趣和释放天性，但我们主张成为做题家夯实基础教育，这两种模式可能前者更能在艺术等这些需要创造力的领域或者体育运动培养人才。最后一幕巨幅涂鸦落下来的时候有一丝触动，看完电影才知道为啥美国的田径项目这么厉害了，kingpun双关语涂鸦蛮可爱的。【WEB/H264/NAISU/3.7GB/英字】（下了个字幕翻译错漏百出，最后看生肉了，语速有点快，有些地方没跟上节奏）
🤔突然发现真的还是蛮喜欢看校园剧…哈哈哈哈哈哈，假期第一天，懒懒的看个剧…
我们女通讯录好惨，电影好烂，但是必须得看，因为也没有什么其他讲女通讯录的电影可看
女版的《你好，赛蒙》，头回知道口交套这种东西
how is it supposed to be a little cute lesbo movie but also came out in an EXTREMELY MALE GAZED WAY?????????
可爱但又平庸无聊的纯恋姬片哈哈哈哈哈有的看不错了
Maybe she's just gabby for me. I wish.😢
美国版的糖水片，是有点甜，但除了甜没有别的味道。
转入景部高中的迷之美少女——诗音，因为拔群的运动神经和天真烂漫的性格在学校中迅速成为了受欢迎的女孩子，实际上，她竟然是处于实验中的“AI”。诗音突然在孤独的里美面前唱歌，并试图用意想不到的方式让她收获“幸福”。得知她是人工智能的里美、还有里美的青梅竹马兼机械爱好者东马、人气第一的帅哥小豪，意志坚强的女孩绫、柔道部成员桑达一行人，被诗音折腾着的同时，也被她执著的样子和歌声感动。诗音为了里美做出的某个行动，竟把她们卷入了大混乱中。稍显笨拙的人工智能和她的同学们交织成，充满温情和乐趣的电影。
好轻松有趣的一部好玩死了救命，感情故事那段反而不是特别有感觉，反而看女主的妈妈和学校朋友的那种校园喜剧就超开心，他们在数学校里已经出柜了的人的时候本来觉得好像好轻松，大家都能直接出柜，但是刚好最近同学闲聊时也在干这个事，其实好像也没什么不同
how is it supposed to be a little cute lesbo movie but also came out in an EXTREMELY MALE GAZED WAY?????????
当一个AI穿越天际来到你面前，问你：“ 你现在，幸福吗？ ”生活在智能世界里有多方便？AI的出现，是为了服务人类而设计的，当真只要你的命令正确，AI就能明白你的意图吗？假如没有写入“喜极而泣”这一命令，人类的弯弯肠子AI岂能懂得。最简单的道理总是最简单的“人”会记得，这也是现在许多科幻作品在阐述的命题——人工智能的初心。如果真的可以发展到非常便利的程度，希望是人与人之间而非人与机器之间还能记得互相问一句：你现在，幸福吗？
呜呜这该死的queer vibe我嫉妒到变质。我期待的甜饼终于来了。
2.5 It’s a teenage romcom. Whataya expect? Cringe? No chemistry? Adults playing teens? Heavy makeup & little study? U got it! All jokes aside, it was a good time. The mom & the principal r fun. Favorite part: men’s political ambitions being treated as a joke & rightfully so. Lol
▪️冷知识：
很老套的teen romcom；妈妈也太supportive了🥹
硬生生把我看睡着了，这电影适合很小的群体，时间不富裕人群无浪费时间和电！
3.5，可爱的年少、可爱的涂鸦、可爱的友情、可爱的妈妈
女主是怎么可以长得又老又小啊，说不出的喜欢这种长相
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