Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
不走运的球探
没法评价，不喜欢，就是烂，剧情很烂演员演技也很垮，反正就是流水账，没什么感觉快进即可，桑德勒演正剧没法看啊，虽然喜剧也很差
适合篮球迷看，同时也不适合篮球迷看。
《我们，动物》导演Jeremiah Zagar新作，Adam因为这部电影得以慧眼识珠，找到他最终推动整个项目的发生——从《原钻》合作Safdies，再到这里，请金酸莓永久远离Adam、未来有奖项速速为其送去肯定。基本可以和两年前Ben Affleck《回归之路》并驾齐驱的体育电影，它们都不耍花招、耐心地捕捉篮球之于人生与试着重新站起来的真义，也关于一个被低估（或被不看好的主演）却打破自己、交上认真严肃的诠释。尽管更大的成功来自于选择职业运动员参演、用种粗暴有钱的方式得以大肆糅合各种真实材料、网罗大牌客串从而实现的乐趣，但它是个足够扎实、也乐于为人展示选秀文化与背后角力更在适当的时候释放情绪的故事。唯一不太满足的或许是Queen Latifah的角色很边缘化，她也值得更好的捕捉。
网飞都不爱宣传自己的片子的吗?我觉得这部拍的是真的还可以.
3.5，剧本超预期，在此之前很难对Netflix自家出品的体育电影抱有什么期望。虽然在受制于NBA超长宣传片和传统美式励志体育片的命题作文模式下，情节设定都偏保守、套路，但好在情感真挚，人生无论如何也会投进一次。亚当·桑德勒的内敛表演在银幕上很罕见，锋芒毕露，而中国最应该看这部电影的人，大概是身居要职的姚老板吧。
6/10/2022 中间训练的montage光看我就有被累到
平时不看篮球的 却还挺爱看这种运动题材的电影 魔鬼训练那段挺激励人的
就算亚当不演喜剧也是演技在线的。故事很不错！居然James又出镜了，还真是NBA狂热饭
有球场，上球场比拼；没有球场，自己搭。
只能说亚当桑德勒作为球迷角度来拍的电影，不能套用到实际NBA中，不过作为电影，励志的角度来说拍的不错
应该是《绝杀慕尼黑》外我看过最好的篮球电影了，虽然关于篮球的场面还是很夸张化和程序化，但拍得的确好看。
演技不错，但拍的太仓促了，看看还行，没必要收藏
套路到看开头能预知到每一句对白…完全没有体育电影那种慷慨激昂的感觉…
不走运的球探
正所谓千里马常有，而伯乐不常有，球探斯坦利恰恰就是博·克鲁兹亦师亦父的伯乐。
Terrible，政治正确的一塌糊涂，老婆必须是黑人、老板必须是白左、新秀必须是国际球员，还不如去看静雨直播。
就像吃炸鸡喝可乐一样
Tobias真帅！演得也不错，全片看看球员教练老板们凑活了，别的就算了
华子怎么演这么low的角色...拿人家小孩开刀的垃圾话作为故事转折也太离谱了...这种畜牲谁碰到都会情绪激动的好叭，已经超越了喷实力垃圾话的范畴了，nba球衣可是能监听的，这个设计有点蠢了，被辱骂直接告诉大众谁会不支持波？
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