"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
居然以真人名字出演，还玩了好多《新世界》的梗，不过黄政民大叔演技还是在线的
居然直接用本名，那结尾肯定是得救啦！多一星给黄政民
突然觉得王千源演的绑匪更有张力，结尾lggy pop的歌加一星
虽然是翻盘解救吾先生，但和原作几乎没关系。改的面目全非，还特别无聊。流水线水平都打不到。4.5分。
勉强算是及格了吧 女绑匪身材蛮好 找个形似王千源的不顶事 没抓住精髓 为了弥补不足 最后让黄政民来个ptsd也是挺离谱的 不是戏离谱 息影 ptsd都合情合理 问题是为啥要拍这个…导演要表达啥呢 是为啥做铺垫么……
看过国产的后看这部，比不了，什么都不到位，除了崔基莞比较聪明超出原版，别的都不行。
比原作更刺激，节奏掌握的也很好，但也更狗血……
唯一有趣的点就是用了黄政民的实体，然后不断的巴结 新世界
几个恶棍非常出彩，政民欧巴稳当，编导差点意思。
即使是黄政民也救不了这电影，翻牌的太扯了。
西八，西八儿，女绑匪的C杯罩，真是大大大大大大
穿插了很多黄政民主演的电影桥段，也算花絮吧，后来制服匪首时候有点太主角光环了，警察的枪都是摆设，舍不得开枪，结果被撂倒，靠主角去以暴制暴，女服务员角色毫无存在感，甚至都不如C罩杯印象深刻。其余几个绑匪也没什么有用的人设，除了暴力情节比较出彩外不如原版。
我还是觉得吾先生拍的更好，虽然有不少人喜欢韩版的。
除了黃政民保持一貫的水準，電影其他單位在做什麼？這劇本說不過去啊
韩国商业片特色：警察无能，贫富差距，娱乐至上，主角光环，队友是猪，翻盘还得靠自己。恭喜韩国拍出了具有自己特色的《解救吾先生》。
《解救吾先生》实在没必要翻拍，没有引起普通人共鸣，被绑时间也短，还不如看《省港旗兵》。
翻拍翻车了，真水！太假了！差评！黄振民你不能这样了
反派找的那演员倒是都大长脸模样，电影里警察太弱了，全是炮灰，给男主设计的有点过于强大，反而不好看，这算是我看过的黄政民片子里最不好看的一个了，要不是因为他是主演我都不想看这翻拍版，既不喜欢王千源刘德华的原版，也不喜欢这个韩国版 PS女绑匪 嗯嗯 真好看
唯一有趣的点就是用了黄政民的实体，然后不断的巴结 新世界
噫！这最后一幕，是以为我没看过《苦难》嘛！！！
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