This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.
Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.
One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
已婚宗教女脚踏两只船和无刘海女贱次次往上贴的无聊事。
虽然我还是不理解宗教，但两位女主之间的性张力绝了，音乐也酷爆了尤其片尾的
"Cool."
结尾到“You should have been there”是最恰到好处的，后面的剧情让还在哭的我不知所措了，显得有些滑稽。
就算没想好要过怎样的人生也要想啊，不能什么都想要
看的时候想起了《Disobedience》，信仰的力量这么强大吗?
一部做饭的电影，而且是两个男人一起生活的戏，一直对男同的戏提不起精神，看这部戏也完全看当成美食电影看的，两个大男人生活在一起还相互的吃醋，小情感还是表达的有点意思，当成教你做饭的电影看看还可以吧！
太意料之外的结局了 我甚至冲着电脑大喊:我就知道！
tmd,tmd，你怎么可以旧情复燃
女主m好像火吻！两个都好有灵性！宗教，世俗不都是tm的一回事？挺现实的剧，好看！
依旧清水，但是贤二内在黑社会大哥的人格似乎就要藏不住了
2020年封控期看着这对cp做做饭吃吃饭，没想到2022年封控期还在看这对cp做做饭吃吃饭
大概就是做个正常人就是世俗吧。。那为啥结局这样搞。。不好
喜欢剧版的不容错过，和剧版一样的调调，但是作为电影更突出了两个人的感情的跌宕起伏。电影的第二小时垮了。
很喜欢史朗和贤二的生活状态，食物串起人情，食物沟通感情，但是影版刻意制造误解就不必了喂！
乞丐版《违命》，演员表现一般，靠摄影配乐营造情绪，而后者又过于雷同，非常腻，远没有评价这么好。这类片如今在豆瓣越来越忽悠，原因都懂，呵。
网络版资源 实在受不了女性角色的娘 除了美食的制作方法真就没有什么剧情可言
相比正片和2020特别版稍微平凡一些。依然是上佳之作。
不知道内野演其他片子什么状态。这电影也算给大家看看人到中年是什么样的体验。
相比正片和2020特别版稍微平凡一些。依然是上佳之作。
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