Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
不是太好看 看到engagement party那里弃了 满脸透着尴尬
套路下的反套路，又或者是反套路下的套路？虽然后半段的情节都能猜到，当成圣诞档的小甜饼还是不错的～
哈哈，听说这个片子里有欧阳万成而且有攀岩场景才去看的！剧情虽然不令人惊奇，但还是挺好笑的。看一篇幕后采访里说，在攀岩那场戏里，欧阳万成和妮娜（女主角）在现实中和电影里的特点其实正好是反过来，欧阳万成非常恐高，而妮娜天不怕地不怕……
Jimmy O Yang 演技可以哈 剧本也比料想得有脑
so American popcorn movie 一半弃 any predictable movie is not a good one
中规中矩的圣诞电影。但是好莱坞是没有好看的亚裔面孔了吗。还有女人的不幸从同情男人开始，如果你发现网恋对象是照骗，赶紧跑。
this just reminded me of the reasons why i hate mass produced streaming platform xmas/vday self-referencing rom coms
冲着Jimmy O Yang看的，加上这几天一直排名第一，竟意外的发现还过得去。
跟着 Youtube 的 reaction 视频看完了。
三十年河东三十年河西，jing yang都开始拍爱情片啦
很好看，不知道为什么评分低。主角演技挺好，还挺自然，挺有意思。女主唱k那块太尴尬了！所以有趣相称的灵魂更重要是么，两人圣诞节合唱的那首改编的歌曲蛮好听的
烂尾 但是立意还蛮不错的 照片catfish 和假装自己喜欢什么什么 等等 到底有什么区别呢? 其实仔细一想区别也还是蛮大的...大多数人都以貌取人 不会很在乎其他这些吧.....而且更重要的是一个人长什么样和身份是密切联系在一起的 身份证啊什么的都需要有照片 但从没有人写自己喜欢什么 这样一想 甚至连学历啊工作啊收入啊和一个人长什么样相比 好像都显得微不足道.....
cliche，唯一的新意就是男主了。居然开头都和the half of it一样。
吸血鬼日记女主已经糊到这种地步了吗，这种烂片都接
故事情节有点老套，即开头便知结局。第一次看贺岁片“致敬”另一部贺岁片《love actually》，从标题就开始了：《love hard》。除了Jimmy，其他演员的演技都很出戏。人物形象均很单一。女主的心理转变过于突兀。无聊的爆米花电影。
故事太俗套了……真的就是吃炸鸡的时候随便看看
我现在是看得懂的不喜欢喜欢看的看不懂，哭。一个美女爱上了刻板印象长相亚裔男的故事，看来亚裔男有点难，希望继刻板亚裔女大红之后对男性的审美也多元起来。
全场最惨：又有意思又贴心的帅哥Tag
Christmas movie 2021 home alone
圣诞片原来是这个样子的啊 你tinder给多少钱我soul给双倍
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