Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
有趣的电影，全程会心的笑。一直非常喜欢看老年演员演戏，那种眼神里浅浅若隐若现的自信和从容，会带来绝佳的观影体验和一丝对人生略有略无的思考。希望世间的老人们都能快乐幸福的度过晚年生活。结尾托里凯莉的出现时稍显意外和激动。
果然彩蛋是一直在看路线图的机器人……
法国女性的率性着实让我目瞪口呆，也许这才是人之天性，在我们的文化里没有被允许过。
難得的是，他們賺了錢之後，想到的不是悶聲發大財，而是將這個事情告訴家人、朋友、鄰居，乃至整個小鎮的人，讓大家一起賺錢，讓整個小鎮煥發生機。
竟然是真的！我也想有个贵人带我发财，啊啊啊啊啊啊啊啊啊啊啊。何以解忧，唯有暴富！
心中的喜剧片，好看没得说
果然学好数理化，走遍天下都不怕。然而看到最后，还是是真人真事。不然剧本也不敢这样写。还记得大学上统计学时，教授说，彩票真的是可以通过统计学计算出来，我当时还真的去实践了，然而就没有中过，最后放弃了，觉得是骗人的。现在才知道，当时我没有赚到钱，是因为没有足够多的本金。
期待值很低，所以感觉是合格线上的产品～点缀的搞笑点挺有新意，让整个很老土的故事不至于太无聊～
好套路。美国动画片工业化流水线的合格产品，看起来像没看过，又好像看过。
“在买彩票之前我就中了头奖”
美版的《致富经》，老夫妇通过彩票带领全镇致富的真实事件。真实事件，很暖的话题。没有国情的参照体会不了当事人的心情，只知道本国中奖后都不是“本人”去领奖。
开头字幕“根据真实故事改编“以及后半句补充的“尽量啦”很可爱。
毒师从自己制毒挣大钱到带父老乡亲买彩票挣钱，哈。从退休失落症，到学会与人相处，到讨论什么重要，蛮温情的一部小片 7分
阿娜伊斯，一个热情洋溢、充满活力的女子，她不断奔跑，果敢离开，勇于追求，终于收获了一段美好的爱情。
尽管你可以说新意上不足，到这温暖又有趣同时又有表达不就是皮克斯的特点嘛，与时代接轨，领导者变为黑人女性，同时还是拉拉，然后的搭档女三代延续这个人设，不光衣服上有彩条，连超时空飞行拉出的光尾都画成了彩条。也讲时空穿越与平行宇宙。表达上既讲信念使命，个人价值。又讲团队合作，群体的理解包容配合，映射当下。片中全部埋的梗都给你圆上，同时还Q了玩具总动员1里巴斯光年高光时刻。看的人满足感爆棚。片尾有三彩蛋，先一个，出完字幕有俩个，最后一个应该表示还有后续……
心是如此的纯净善良，小镇很有爱，信任，是一种可贵的，值得珍惜的情感
平行世界的老白改爱数学并决定及时把秘密告诉妻子，从此过上了幸福的生活
看看人家是如何解决晚年危机的
又是夹带私货的片子，而且还是面向小朋友的动画片，黑人女性娶了白人女性，生了个黑娃，小朋友很好奇，我就很无语，有必要在这种片子搞这些么？
关于两个巴斯光年各自立场的探讨还有整体质量很不错，但是在煽情方面差点意思。Andy要是看了这他还买什么巴斯光年啊，他肯定买SOX去了
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