According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions.
The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.
2022年2月3號星期四/正月初三
虽然很老套，虽然男二一出来会反水。（这演员就是反水专业户），本来想打两星，但是好在整部片的文戏是花了点功夫的，虽然很简单！六分及格。
演员在电影里受尽折磨，我在观影时也受尽折磨
又一次点题“人为财死”，想起了小时候的故事：从前有一座金山，两个人去捡金子，要在太阳升起来前离开，不然就会被烤焦…
树林和警察枪战以及男主在柏林街道逃跑这两处拍的相当给力，可惜结尾有点草率
感觉没有什么很突出的地方
拍这么长肯定是想让我也感受到困在沙漠里的口干舌燥
horrible！看完头晕 听到外面猫吵架嘶喊 吓一跳。
人为财死的宿命，整个蛮荒的澳洲内陆画面有股汉子般粗粝的质感
人都这样了，杀个人还费劲又是埋又是烧？吃饱撑的？
看到肥佬拿着望远镜时，真是“人心不足蛇吞象”
怎么说呢…前面半个小时到一个小时的铺垫太长了，讲的太稀碎了，完全没有必要，后面好了一些。叙事有点笨拙吧，一定要讲透了，比如科学家留下的录像，唯一的好感是派恩和福斯特再一次合作，上一次是赴汤蹈火。
人们总是被眼前的金钱蒙蔽了双眼 人为财死是永恒的话题
开头司机用石头砸死了垂死挣扎即将被另一条鬣狗咬死的伤狗，就暗示此人非善类。最后蠢汉被鬣狗咬死了，司机被人射箭杀死了，故事告诉我们：我族土地上的黄金怎么能让外人随随便便拿走，要想掘金走，留下两人头！
预警1：路上的闲事少管，别人的事情你也少打听。
Chris老了依旧帅炸天，整部电影也靠他的爆发演技撑起来一点点，可惜剧本还是比较无力。
苦难，痛苦，等待，希望，成空，算计，被坑，正义
的确很像等待戈多！中间一个小时真的太绝望了
必需要有个重要角色死，否则无法解释为什么不穿防弹衣……
把主角对金子贵过命的心态拍得太突出，超出常人对求生本能的正常反应。
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