Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
“你该不会想说声音好听的主人长得应该不好看吧，不好意思，我长得很好看”。也只有允儿可以这么理直气壮的说了😂
让他人参与自己不代表失去自治，我们不是因他人而完整，但从没有经历与他人无关
郭在容这是怎么了，太空洞了，也就开场录音棚还有点看头。
虽然知道很没营养 但还是被治愈到了 2022想要去爱
突然想起很多年前的那档台湾综艺节目，雅倩你猜你猜你猜猜猜。
明星阵容的新年贺岁电影，虽然剧情一眼就能猜到结尾，但还蛮适合跨年看的，轻松温情，圣诞新年元素都有，节日氛围有。2021就要结束了，愿新的一年也平安顺遂，多一份勇敢多一份自信
过于白开水了吧 几十年了还有人喜欢看灰姑娘情节吗 整个故事心疼韩智旻
找大同 磨小异 这么简单的六个字乱七八糟拍了一大堆
不同的爱情各不相同，都是各种表达浪漫的方式，无所谓好坏，适合就好
完全没认出来Matteo，对他的印象还停留在MEDICI里面又酷又坏的帕齐家族Francisco ，这个转型也太大了！剧情的话刚开始没明白，后面很流畅～
到底是谁在捧元真儿 好迷 所有的剧和电影都是一脸苦相
剧情要多老套有多老套，要说剧情的话真的不怎么样。但是过年还蛮喜欢看这种贺岁电影，阵容强大，故事圆满，每个人都拥有完美的结局，纯粹的合家欢大电影，还蛮温暖的，也算是美好的祝福吧。还有，李栋旭好帅。
很温暖、温馨又搞笑的电影。就是允儿露脸的地方有点太少了吧！新年快乐！！
只想找徐康俊那一段dj的曲子，那两首歌。。。
把我看瞌睡了，产生了重影……
沒看之前很期待，看了之後，這剪輯轉行算了，我看我都能剪得比他好
就是一个情感大杂烩吧，剧情跳转太多了
拙劣又俗套的模仿实在尬出天际。除了姜河那的部分其他都是如坐针毡，看得人哈欠连天
就是一个情感大杂烩吧，剧情跳转太多了
7.5/10这正是我目前急需看到爱情片，人生哪里来的那么多选择。非常精彩好看电影！
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