With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
当一个AI穿越天际来到你面前，问你：“ 你现在，幸福吗？ ”生活在智能世界里有多方便？AI的出现，是为了服务人类而设计的，当真只要你的命令正确，AI就能明白你的意图吗？假如没有写入“喜极而泣”这一命令，人类的弯弯肠子AI岂能懂得。最简单的道理总是最简单的“人”会记得，这也是现在许多科幻作品在阐述的命题——人工智能的初心。如果真的可以发展到非常便利的程度，希望是人与人之间而非人与机器之间还能记得互相问一句：你现在，幸福吗？
Wanna taco-bout it？
青春片，满满都是少女感。很多少女心事放到现在的年龄来看，会觉得离自己好远。就像Paige妈妈说的，我曾是Paige，曾是AJ， 曾是Gabriela，被人伤害也伤害别人。青春感觉更能和Crush联系起来。真好啊
把钥匙挂在裤腰上是什么神奇类型的女同性恋……
哈哈哈哈哈哈哈哈哈～
稀烂的剧情，建议导演看看《真心半解》是怎么拍的。
incredible! I mean the painting
被折进去一半的鞋舌太真实。
好可爱！女主真的好漂亮啊！好爱女主的妈妈。我真的永远爱青春校园喜剧片（女主跟暗恋的女生喝了同一款酒后说：“现在我们嘴里的味道一样了。”的时候，些许心动了🥰）
hulu的青春校园爱情片。女主在寻爱的过程中发现一直暗恋的其实自己并无感觉，有感觉的恰恰是那个没注意的。而当没注意的那位开始对她有感觉时，又产生了误会影响了她俩的感情。不过都是小事，最后当然HE结局。电影里几乎全女性角色，而且大多都是拉拉和双，直女很少。唯一一个直男也很可爱，是女主的好友，这位直男在竞选学生会主席时也败给了自己的女友。男性在电影中完全被弱化，反而使得这部电影更加赏心悦目。
女主某些角度有点像光妹唉！总体可可爱爱的喜剧姬片
這陣子日本原創動畫電影裡劇情最自然完整的一部。
诗音对悟美幸福的执着、遇到问题就唱歌的原因太暖心了！而且唱的几首歌都挺好听的，歌词也很有意义。
明快的色彩看得人心情都好起来了
真的很无聊，两女主之间没什么cp感，一句话就能说完的老套故事，整部电影的服化道看起来很廉价。难得有he并且轻松的姬片，但是这个水准太让人失望了。
看完了，迪士尼公主穿越日本二次元的歌舞片，还行还行，没什么特别槽点
开始诗音问悟美，你现在幸福吗，我还觉得很奇怪，但揭开后却是满满的感动，结局很浪漫
超治愈的～
“Falling for you has been the happiest moment of my life”
松鼠能记住它们见过的每一个人。
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