Marco (Mario Casas) is a young businessman who manages one of the most successful technological companies in the world, ALVA, which has just launched its latest prototype into the market - CYCLONE, an electric car propelled by turbines that turn wind into energy. His friend and classmate Diego works with him, along with the latter's wife, Bárbara, the efficient marketing manager of the company. Eva, a young, ambitious engineer who has a lot to hide, also joins the team, and she will disrupt the balance at work, both emotionally and professionally, between the two business partners. In spite of being a popular guy, Marco, unlike Diego, doesn't have an exciting social life. He is a solitary man, and no one has access to the intimacy of his soul, apart from his psychologist, SARA, on whom he is emotionally dependent. Marco is haunted by a huge number of ghosts from his past and, although he tries hard to scare them away, he only finds comfort in sport and in frequenting a private club. People go there just to get pleasure and give free reign to their wildest erotic fantasies, without fear of falling in love, as everyone has to wear a mask to hide their faces. But everything changes when Marco meets Carol, the new educational psychologist who looks after his brother José, an 18-year-old boy with problems of autism, with whom he has a difficult relationship. With her, he will also meet his worst enemy - himself. Thanks to her, he will discover that it is never too late to love, even if it brings some pain along with it.
让自己愉悦是一件很酷的事情。
五星怒赞！一剂极度舒适的精神春药。内核还是与自己和解！话痨片真的可以拍得很好看！请洪常秀、伍迪艾伦学着点吧。
之前没找到音乐剧的官摄
感觉看了一篇音乐剧版的特稿，关于信仰的小段落最打动我
封闭空间的作品毫无疑问人物要设置对，一个近乎理想化的秘密情人 一个教宗教学的假哈姆雷特式中学老师，有揭露回忆有矛盾有和解，剧作上节奏也是极好 至少不无聊。问题就在于性与道德这个脱不了干系两角，就如同后面打破幻想一般，你不知道你眼前这个人他会如何重塑你们当下的行为呢，而如此避谈，一是篇幅的确展不开，二则是暴露了作为寓言体去讨论但实则是灌输的形式。由此必然要考虑所谓的人物设置，也由此暴露了他所为新精品电影以保守中产女性作为目标这一属性，消解那些所谓“性化”的元素是为了否定性的承认先验的观点—我们都难以享受性并且性是生命源泉，而输出这一观点最大的悖论就在于排除一切社会因素却又必要的让人在社会中渴望它，排除必然的社会性却又妄图在真实中引用此种虚幻，而它女性向的打法最后只会失落于真实想象中
支持性工作合法化能为性工作者提供更好保障的观点，有些过于理想化了。
爱笑的牛郎技术都不会太差。艾玛汤普森还是很美，表演出色。破除女性的性羞耻和性保守，比起欧美，感觉在国内更有现实意义。and 性心理治疗，只有像 Leo Grande 这样的牛郎才能做到吧。
我就是冲着老年中产女性和年轻美好肉体去的哈哈哈。不能深究xing合法性、女权人权这种严肃话题，但故事看起来功力还是相当可以的。
最后两个人的癫狂源于放下一切，坦诚相对让彼此心灵靠近，真心蛮感人的。为女主的勇敢鼓掌，人就应该去做自己喜欢的事，哪怕事关禁忌，以不伤害他们为前提即可，何必在乎别人的看法
很喜欢对性的探讨，是Fleabag以后最喜欢的了！第三次会面谈到妈妈稍微有点过，第四次真好。
Jenn Coletta真的太绝了呜呜呜。
节奏很紧凑，在一个小空间内能把一个互帮互助的紧急事件演的幽默又感动。
当它就在这里，触手可及的时候。”
没有什么比真诚对待自己和别人更美好的事了，更没有什么比直面自己更勇敢的事了。
一条忠告 做爱前和进行时 能不聊就别聊 对大家都好 这个角色太适合艾玛汤普森了 克制焦虑优雅有姿色又脆弱 就是可惜落脚在这样的情节上 一个迷失自己的自卑的通讯录都比这个结尾强 虽然片尾俩人露屁股露的好看
我只想说四个字，职业素养。虽然有点鸡汤，但互相以温暖，互相以分享。暖心又有趣。
I’m an islander ，I am an islander！
前半段(抱持与接纳，论工作中的咨询技巧实践)后半段强行转折(白眼)
这个电影让我觉得尴尬，看不下去，如果是写成小说，我会非常想看。
一切都太像一部话剧了，顺理成章的职业与压抑，顺理成章的身体羞耻，顺理成章的冲突与和解，几乎就是一篇命题作文。因此尽管它提供了一个很好的观照视角，它仍然很不真实。更何况，由一个年轻貌美谈吐优雅的男娼来“解放”一个中年妇女的叙事看似惊世骇俗，实则保守（一种老男人嫖雏妓的对位叙事）。男主的形象亦颇为扁平，我们无力分清他的言行举止有多少真情实感，又有多少只是出于“职业道德”（毕竟敬业的色情演员简直不要太多）。艾玛·汤普森的演技精湛到了可歌可泣的地步，但本片的深度也就止步于此了。毕竟诚如戴老师所言，“我不相信消费能提高女性的地位”；钟点一到，女老师裸身自鉴无比洒脱，然而这究竟是“犹可脱也”还是“不可脱也”？
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