The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
比想象中好，前部女主角色塑造到位，镜头角度有力，看到coinbase发出会心一笑😂
一个导演只能拍属于自己那个时代的内容，这个是跳脱不了的。
一个导演只能拍属于自己那个时代的内容，这个是跳脱不了的。
在电影院看的。什么破玩意儿，变来变去的，你以为你是孙悟空呢？
不会拍电影可以不拍。尤其是连剧本都不会写的话。
还是很有疫情背景特色，居家程序员+后窗+黑科技+小惊悚的结合，女主最后的反杀干脆利落，很爽，但缺些back ground story 、好在电影时长短小精悍、合适！
2星➕一星因为提醒了我牙齿烂了要及时看医生😥
像一口气读完一部中篇小说
有警察不找，有警察局不去，非要往人少的地方跑，脑瘫片
数字时代的产物，透过窗口看世界，我们无时不在危险中。每个点都精准有效，Damn！（牙疼）
2.“被窥视的生活”；
开场即是“灵魂三问”：我是谁？我从哪里来？我要到哪里去？非常出色的将“灵魂寄居者”的整体悬疑氛围铺陈了出来。其后格局渐小，3次用开挂式的上身反杀桥段进行反转，从悬疑+奇幻沦为常规犯罪动作片，最后落子战无不胜真爱无敌 -- “为什么所有人都抢着要救你？”
Darius解决
so is it Covid that causes her mental resistance to step out of the house
就剩下点已经很常见的“不折腾”“我冷静”风格了
片尾用的Elastica的Connection，瞬间回到Grunge盛行的年代，用得好，爽，四星加一星，镜头不搞广角、鱼眼那些极端主义的索德伯格还是很讨人喜欢的！
太强行了吧！丑国大街上那么多热心丑国人的吗
犯罪片里的小清新，女主最后显额头有点大，之前的装扮好看。杀手🥷先强后弱
确实不怎样！期望太高的话最好不要来浪费这一个半小时
不过技术公司的恶，一定是存在的，手段上更高明，原理上更丑陋，我想念我的爱立信了。
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