Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.
Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)
As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.
The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).
Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
让我意外惊喜的网大，比大部分院线电影都好看，如果说网大未来都这种高水平质量，院线电影真的要小心啦!但我觉得还是委屈这部网大，大屏幕播放效果肯定更强，没想到让我为父子情飙泪，为队友情爆笑，为吃鸡战斗热血沸腾的竟然是一部网大电影。而且看了马上重新捡起吃鸡游戏，感觉这几年除了苟着，啥都不会。吃鸡决战结尾决定惊喜，强烈推荐！
每隔一段时间，就会有好的国产电影出来，给你惊喜，吓你一跳，让你觉得原来国产片大有长进，跌破你的眼镜！
动作画面都非常棒，剧情太老套了，而且感情戏太多容易出戏的。游戏画面节奏好特别爽，看着很带感。
父子情作为这部真人吃鸡电影的主线丝毫没有强行煽情的感觉，游戏里的队友是“战友”，生活中的父子亦是“战友”，因为生活比起游戏更加艰辛不易，肖汉最终胜利后抱着儿子沐浴在如阳光般暖暖的灯光中，他们就是彼此的太阳。
游戏还原度太高了。不到最后一刻，真的都不知道花落谁家。最后一刻，对方终于不再苟，抄起平底锅，正面刚，正面厮杀，燃到炸裂！！
日子过成这样也太寒酸了，家里简陋，交不起房租，屋内一塌糟，漏雨又少电；加上还有前妻来争抚养权，不奋起简直要活不下去了。所以肖汉的奋起是偶然也是必然！
年度黑马，吃鸡玩家必看。没有一个认识的演员，小成本片的胜利。套用了《动物世界》、《滚蛋吧肿瘤君》等类型片的外壳，内核却是类似《钢的琴》小人物翻身的温情励志故事（片中的青岛恍惚中也有那么点像沈阳老工业基地）。有趣的地方全在细节:青岛的市井生活（见识到了塑料袋装的青岛啤酒）、早熟的小学生、网恋的二次元妹子是装了变音器的男版“乔碧萝殿下”、游戏ID为“你爸爸抠着脚”现实里却是开跑车的高挑美女……所有网游爱好者都能在此片找到共鸣。没在电影院上映真是遗憾啊！设想此片若在影院上映，或许能听到当年《夏洛特烦恼》在东北地区各大影厅引起的爽朗笑声。
故事情节虽然老套，cp也是毫无看点。但是游戏是真的爽
看到了导演、后期、剪辑的情怀与真诚，
我看到類似當年看「瘋狂石頭」時那樣的驚喜，才氣縱橫的人才導演啊！除了男女感情線略有不足，其他敘事技法各方面都是一流的，故事越後面越燃越炸，期待這導演往後的作品
年度最佳网大，给我看燃起来了，平底锅yyds！
非常牛逼的电竞游戏题材电影，类型感很强，值得鼓励。《超凡滑手》什么时候搞长片啊啊啊眼馋。
当然如果要细究槽点也有不少，说一个我觉得比较大的槽点，男主技术这么好，就算玩不转直播没法大富大贵，当个代练陪玩满足下温饱肯定是没问题的，怎么也不该混得像影片中那样惨。当然毕竟网大，剧情也不能太吹毛求疵了，还是希望网大能越做越好吧。
在网络电影的语境下，《硬汉枪神》展示了把类型做到极致的野心。父子情与电游竞技双故事线并行，院线电影的叙事方式和真人实景游戏呈现的制作手法相辅相成，将屌丝小人物在事业（在电竞中夺冠）家庭（与前妻和解，得到儿子抚养权）爱情（美女队友倾心）的全面逆袭，淋漓尽致地表达出来，全方位满足了网络电影观众对爽感的需求，完成度较高。如果可以在时长上有所控制，文戏处理上更极简一些，会更加适合网络电影的语境。
有些套路，不过网大里面成色很不错了，对于那些游戏迷应该看着很爽吧
像拿着平底锅，狠狠扇了那些有钱还拍不出好电影的人的脸
边看边笑边想哭的一部真人吃鸡电影，一个现实生活中一无是处的爸爸领着一个老被欺负的儿子，取名叫太阳，意喻孩子的未来像太阳般温暖灿烂，生活场景完美的复刻，没有刻意煽情却很励志，最让我感动的细节是虽然男主生活落魄，但在儿子的作文里确实英雄，还好最后男主称得上这个好爸爸的称号～～
从电竞改编的电影来看这是一部还不错的电影，因为在比这更大制作的电影里我觉得都没有这部注重诚意，故事是简单，但是仍然给与玩过该游戏者一些感触吧，只是可惜制作还是有点打磨的不够
是的，就这样一个除了唯一电影海报，唯一预告片外，在豆瓣上没有任何其他宣传物料的网络电影，我认为他值得让我给出今年国产娱乐电影的满分——当然这里面有鼓励分，但如果你熟悉国产电影创作，你看完两个小时后，你大概会理解我为什么这么说。。。
爱情那条线完全没必要，像是游戏宅意淫出来的产物：一定要有一个好看年轻的富家女，还必须要爱上自己。
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