“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.
The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.
As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.
“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
感觉她真是分裂，我不接受一个有成就的民权斗士的内心竟然是靠宗教哄着撑起来的。
演员阵容挺不错的，但感觉拍的有点乱，剧情也有点迷，
本来已经觉得肥花唱功震撼，直到片尾Aretha奶奶的footage出来，直接秒杀。电影的话，和Annette正好相反，歌曲足够经典，肥花也足够有才华，加上文戏铺垫，音乐部分情感冲击力很强。但传记部分有些松散，少了条人物发展的arc。
影片的本意是想给人希望，但当强钱才能战胜强权的结果发生的时候，我感受的是深深的绝望
前两部都没看，这次冲着粤语直接看了第三部，情节还算中规中矩的港味
Maggie Q还是那么美～剧情一般，动作戏也一般
第一第二部给第三部增添了很多故事，很喜欢第三部
😂叫你模仿王晶，！又没有叫你超越徐克。。。。。 😱😱😱
又看了一部黑人电影。还是离不开mlk那套。结尾那首奇异恩典，很有感情。全是感情也贼多技巧……一个伟大的女性，一个伟大的黑人音乐家。Aretha Franklin.真人也好美呀。
Aretha Franklin 是无可替代灵骚歌后，天生就有一副给上帝亲吻过的歌喉。珍妮花演绎很卖力，但始终只是流于表面而已。歌曲都耳熟能详，作为一部传记电影，不过不失。
普普通通……剧情很垮。女主一直都是尼基塔啊！(˶‾᷄ ⁻̫ ‾᷅˵)是美的
逃狱兄弟3来了，拿走不谢
一共三部，感觉挺好的看着，虽然还是差不多一样的剧情
和女主上床的男演员太老了，换一个帅的，评分能提高很多。女主依旧美艳
三部逃狱最终都没逃成。第四集不拍逃狱了，改派人物传记了。我投票滚筒！
连她唱respect那一part都拍得如此无聊
这打戏简直就是离谱他妈夸儿子---好离谱。
作为很工整的传记片来说，缺点和优点都很明显，特别是在后半段叙事零散，很多事件被压缩的情况下，Jennifer Hudson也在自己的范围内做到了最好，真的值得奖项肯定。然而影片的高潮竟然是最后AF晚年表演的影象，一下子就明白为什么她代表了一个时代。
作为传记中规中矩，但她本身的经历很有看点。希望多一些这样的故事激励大家为自己而活着。
表演也是中规中矩把 看了Hudson那么多表演 觉得这就是她自己的本色出演了
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