New York pretentious Diana Sullivan is writing a series of articles on the theme of "family" for Cosmopolitan magazine. Primarily to keep an eye on her but also because of the personal connection, Diana invites her mid-teen daughter, Grace Sullivan, to accompany her on a trip to research the next in the series, dealing with their own family, most specifically a wing that lives deep in the backwaters of the Louisiana bayou, which has been largely overtaken by oil companies of late. They are most directly connected by brothers: Diana's grandfather Mike, and Joe, the patriarch of the Louisiana wing. Diana and Grace have never met their Louisiana relations, they in turn who do not even know that Diana and Grace exist. As difficult as it becomes, Diana and Grace are able to meet their Louisiana relations, led by Joe's widowed young wife, Ruth Sullivan, who acts as if Joe is still with them, who sees anything related to the city as suspect, and who rules her household with an iron fist to ...
很传统很正统的西部片了。正所谓惹老实人，一时善念，麻烦缠身，岂料揭开不为人知的过去，终究该还的还是要还。
生命中分分秒秒都是生与死的较量。
熊孩子穿越来的吗 格格不入啊 怎么长大的啊
名字《老亨利》，听着就像一瓶老酒，安静的待在那里，只有打开了品尝了才知道------卧槽。。。。。劲儿真猛！
不可饶恕的剧本，只是老亨利感觉没有老牛仔气质，演技略显浮夸，没荒野三部曲那味。
潮湿的泥土，肮脏的猪圈，衬衫发黄，菜汤易冷。就是这么old school。
成本应该不高吧，在一户破落村舍完成叙事，简练而深远
看个热闹，开始的铺垫太长了，最后也是不考虑逻辑了
3.5，画面，质感，服装都很对味，剧情有些忒简单，完全可以丰富一些
西部片给人的感觉总是混乱而又暴力，真怀疑当时人们怎么活下来的。正如老亨利，即便归隐又怎能逃得过这样的西部世界，混乱终有终结，希望正在路上，一如儿子远去的背影。
7.0，算是最新的一部西部片了吧，比利小子当初没有被杀死，后来隐姓埋名成了老亨利。剧情还可以，只是缺少燃点，结尾还有个反转。可以理解不让儿子碰枪的老亨利，从没正式开过枪的儿子只能偷偷练，作用最后才显现。片中西部环境还是很不错的……
画面的气质比想象中没有那么西部片，至少地点放在西部。
悠长的音乐，广阔的外景，舒缓的节奏，传统的西部片。
如果一个人看起来就是厉害的角色，怎么躲藏，如果看起来就像是憋着什么，也不合适。
有时候他也嘟囔嫌钱不够使
影片中出现的通缉令上的照片也是史上流传下来据说是Billy the Kid的唯一照片。
西部片背景的《小人物》，最后的枪战还是很可以的，很“西部”！
感受就是，黑吃黑真可怕
就是不知不觉看完了，一个半小时，说明逻辑没问题，节奏紧凑。挺喜欢主人公的性格，隐忍克制，但是就像好汉歌一样，该出手时就出手。
穷凶极恶的劫匪踢到钢板，金盆洗手的老枪手晚年平静被打破，在偏远山区不教自己孩子枪术就是害他！
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