Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
【C】再度验证了john wick的气质已经可以被量产化：从《极寒之城》《小人物》再到这部《凯特》，以富有“质感”的同类型光影美学加持，辅以重度套路的剧作和强悍的杀阵编排，就能贡献出水准之上的动作片。对日式文化和日本角色的戏谑和语言胁迫忠实践行了黑道老大的台词“蚕食他们不理解的文化，然后把他们的垃圾丢往世界各地”。越战越弱的设定显然是想把最后的闪光点放到女主的角色弧光之上，但“深沉”一词在这个类型本身就足够可笑了，唯一值得信赖的还是玛丽·伊丽莎白·温斯特德的气质。
加勒比海盗都快是20年前的事情了，迪士尼却几乎是原地踏步。和20年前相比，大流行下的世界里，都在为已知世界的失落而伤感，多少人真的还会为未知世界感到兴奋？
虽然是流水线电影， 但EMILY BLUNT加上大女主剧情，三星半round up成四星吧……真希望自己小时候能看到这么英气的女主角！
我说怎么这么眼熟，原来是迪士尼的项目改编的…好吧，爆米花电影，没啥惊喜啦…
虽然本片也是好莱坞难得的商业大片里的原创电影，但看着就是给人感觉不像是原创...一切都是那么似曾相识...
这是一部爆米花娱乐冒险喜剧片。
幼稚版加勒比海盗？我不管，巨石强森很可爱哈哈哈
老套的探险故事，有勇敢的主角，有阴险的坏人，还有萌宠，然后过五关斩六将拿到大宝藏。画面特效都是很不错的，就是剧情有点太套路了，让人提不起多大兴致，有点可惜了。
在电影院看可能效果会好些，对巨石强森的这类角色已经审美疲劳了
好久没看这么烂的电影了，上一个还是上海堡垒，不管是剧情，动作戏，特效，完全是一坨屎，浪费时间
竟然还稍微超出了预期。非常成熟的合家欢爆米花大片，冒险、奇幻、连爱情元素都有了，各个旁支议题也融入得颇为恰到好处，甚至还加入了不错的悬念和人物前史。当然，最大的作用肯定还是让乐园的相关项目显得更加有吸引力了。
虽然他是老套的奇观冒险片。但是角色和人设真的是很不错了以至于让人津津有味不觉厌烦。
标准化的丛林奇幻冒险，样样都不缺，有时间就看没时间就过的片。
听弟弟说话好熟悉，竟然看过他的standup，好可爱
【6.0+】这年头少有的能满足纯图一乐要求的电影了。唯独有一个问题，巨石强森长得既不像西班牙人，也不适合谈恋爱…
看多了 加勒比海盗，木乃伊，勇敢者的游戏后，这片也就那样吧
相当不错。剧情虽然是简单的复仇故事，但是掺杂了亲人背叛，东西文化对撞等内容，让剧情不至于像一般的好莱坞流水线作品。日本大阪的市井气息与略显r级的霓虹灯光调色，搭配凌厉拳拳到肉的动作打斗与炫酷的镜头调度，让人肾上腺素飚升，让电影具备一股独特的邪典气息。虽然说女主战斗力爆棚，但是并没有让她一路开挂到让人无语，也让这部电影区别于这几年一众的女特工电影。另外不得不说伊丽莎白的造型真是酷的不行，太赞了！我愿称之为女版约翰.威克。这电影值得更高的分，至少7.5。
乐园项目都改编成电影-_ -#故事行,打打杀杀丛林冒险,再加上点斗嘴爱情戏,合格的爆米花片.故事总体还行,(丛林没有其他动物?就只有带着的这只大喵. 7"
强森的喜剧表演是唯一看点 整部片子看起来就像是一篇有字数限制的不及格小说 前半段把人物环境故事等描写的很生动 但也因此花费大量篇幅 导致真正的高潮部分已无字数展开 剧情发展和结尾的低劣套路让人顿感开头的铺垫索然无味
看完由衷地跟萝莉发出一样的感叹：“太帅了！” 顺便BGM的日语歌老是让人串戏到棒棒鸡
Copyright © 2015-2023 All Rights Reserved
