Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
好短hhh 但前面还蛮好笑的，还有真的有人喜欢看触手打架吗？？ 为啥这么多无聊的打架镜头。。
真难想象女反派居然是走路乱颤动辄对着007媚笑的Pennymoney（瞅这名字起的）。一部非常标准合格的Popcorn-super antihero-action-buddy-comedy，这五点居然都做到了，不容易。唯一不满意的是配乐，再有个性一点就好了，可惜了Eminem打下的底，应该跟《黑豹》多学习一下。Andy Serkis没有胡来，保持这个系列稳定发挥（影评人分一如既往的低，影迷分一如既往的不高不低），已很满意。现在观众可能不喜欢废话太多，打架靠力气大的电影了😆电影前播放了蜘蛛侠的预告片，结束后播放了蜘蛛侠的彩蛋，怎能让人不爱啊！（粉丝就是这么容易满足。）这一部里Dan表现得确实不错，我也喜欢🤣
最后的CG大战比较提神，但看着三个演技派演员努力地为空洞符号化的人物注入深度并化为乌有，多少有点可惜。只能说剧情人设更卡通且嘴炮无底线，看完也不知道演了什么，剧情体量小到不值一提，更该是第一部后面花一点时间讲完的故事，而不是一部堂而皇之的完整续作该有容量，看完彩蛋，多少让人觉得，是为了蜘蛛侠的这点醋又包了盘饺子。
上一部本来故事就很蠢，但是靠着合体的奇妙化学反应撑起了全片。这一部两人的合体没有任何新意，甚至比上一部差太多，然后再套上一个观众起码已经看过十遍的故事，真是难看死了。
完全成爱情动作喜剧片了，这剧情拍了跟没拍一样，彩蛋那么一会儿的劲儿比整部电影强
好莱坞的大片剧本越来越无趣，只能从奇怪的同性生活拌嘴视角去挖掘点趣味，反派很天生杀人狂那味甚至让伍迪哈里森出演是不是就是为了这个啊？只是好莱坞电影真的再无新意可言了吗？
除了毒液，其他角色太无（煞）趣（逼）了……
文戏用了广告方式，动作戏真的一点惊喜没有。就，逗比也不太好笑。
扒掉超英题材的伪装，本质就是同性伴侣的吵架琐事，看汤姆·哈迪自己和自己吵架。反派无论是那对亡命男女，还是逆子“屠杀”，都没交代清楚能力来源和行动目的，因为定位就是不重要，只作为给毒液夫妇破镜重圆的一个契机而已。拍了一部下来，原地转了一圈，什么都没推进。好在正片只90分钟片长，不算太长。
都什么年代了
某位好友让我看蜘蛛侠3前补一下这个电影，看完觉得她应该直接说让我补彩蛋，何苦要花这一个半小时的时间呢
《毒液2》像极了一部特效精良的B级片，可以说跑调跑的十分厉害。时长短，故事烂，没营养的废话极多…除了磕就是爱情，哪还有点惊悚动作片的样子。
推翻牛顿定律，重新定义“杀戮”。前八十分钟：这样还没摔死？后十分钟：就这样摔死了？属于伤害性不大但侮辱性极强的那类电影。
千万不要带脑子观影，一定不要思考逻辑，作为纯看热闹场面的爆米花商业片，还是合格的。5/10
文戏用了广告方式，动作戏真的一点惊喜没有。就，逗比也不太好笑。
毒液和宿主埃迪之间的互动，是影片喜剧元素的土壤。外星生命体对地球的“无知”，为两者的沟通设置了很多笑料包袱，两种语言之间的差异虽然会打些折扣，但你真的要沉浸进去看，绝对对得起票价。
我痞子姆爷的主题曲超好听的，Woody Harrelson甚是让人提神醒脑，屠杀这货真是花式杀戮运动员，出场这么久，杀招可以说都不带重样的
【YVR-5th】三星半。片长90。短平快的带有动作戏份的甜甜的同性爱情喜剧
扒掉超英题材的伪装，本质就是同性伴侣的吵架琐事，看汤姆·哈迪自己和自己吵架。反派无论是那对亡命男女，还是逆子“屠杀”，都没交代清楚能力来源和行动目的，因为定位就是不重要，只作为给毒液夫妇破镜重圆的一个契机而已。拍了一部下来，原地转了一圈，什么都没推进。好在正片只90分钟片长，不算太长。
看了，又仿佛没看，第一部我本就不喜欢，第二部几乎是第一部的糟糕重置，角色的扁平化处理，事件的顺理成章压缩时长，特效的粗枝大叶，而铺垫宇宙与续集的心思倒是不少...
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