BBC最新纪录片，讲述地球的力量如何改变了人类的历史。2010年1月19日首播，共播出了5集：'Water'，'Deep Earth', 'Wind', 'Fire'，'Human Planet'。节目中，Iain Stewart教授带领观众探究几个世纪以来，地质学、地理学和气候是如何影响人类生活的。
我们的星球拥有惊人的力量，但却很少在教科书中被提起。这个系列节目第一次通过电视展现地球的神奇力量对人类发展的影响。节目将历史故事的讲述和炫目的摄影镜头紧密结合，给我们呈现一幅原汁原味的人类历史图景。
Iain Stewart tells the epic story of how the planet has shaped our history. With
spectacular images, surprising stories and a compelling narrative, the series discovers the central role played in human history by four different planetary forces.
Episode 1: Water
Professor Iain Stewart continues his epic exploration of how the planet has shaped human history. This time he explores our complex relationship with water. Visiting spectacular locations in Iceland, the Middle East and India, Iain shows how control over water has been central to human existence. He takes a precarious flight in a motorised paraglider to experience the cycle of freshwater that we depend on, discovers how villagers in the foothills of the Himalayas have built a living bridge to cope with the monsoon, and visits Egypt to reveal the secret of the pharaohs' success. Throughout history, success has depended on our ability to adapt to and control constantly shifting sources of water.
Episode 2: Deep Earth
Iain Stewart tells the epic story of how the planet has shaped our history. With spectacular images, surprising stories and a compelling narrative, the series discovers the central role played in human history by four different planetary forces. In this first episode, Iain explores the relationship between the deep Earth and the development of human civilisation. He visits an extraordinary crystal cave in Mexico, drops down a hole in the Iranian desert and crawls through seven-thousand-year-old tunnels in Israel. His exploration reveals that throughout history, our ancestors were strangely drawn to fault lines, areas which connect the surface with the deep interior of the planet. These fault lines gave access to important resources, but also brought with them great danger.
Episode 3: Wind
Professor Iain Stewart continues his epic exploration of how the planet has shaped human history. Iain sets sail on one of the fastest racing boats ever built to explore the story of our turbulent relationship with the wind. Travelling to iconic locations including the Sahara desert, the coast of West Africa and the South Pacific, Iain discovers how people have exploited the power of the wind for thousands of years. The wind is a force which at first sight appears chaotic. But the patterns that lie within the atmosphere have shaped the destiny of continents, and lie at the heart of some of the greatest turning points in human history.
Episode 4: Fire
Professor Iain Stewart continues his epic exploration of how the planet has shaped human history. Iain explores man's relationship with fire. He begins by embarking on an extraordinary encounter with this terrifying force of nature - a walk right through the heart of a raging fire. Fire has long been our main source of energy and Iain shows how this meant that the planet played a crucial role in Britain's industrial revolution, whilst holding China's development back. Along the way he dives in a mysterious lake in Oregon, climbs a glacier of salt, crawls through an extraordinary cave in Iran and takes a therapeutic bath in crude oil.
Episode 5: Human Planet
Series in which Professor Iain Stewart looks at how four geological forces have shaped human history. He explores the most recently established force, humans. It's easy to think of the human impact on the planet as a negative one, but as Iain discovers, this isn't always the case. It is clear that humans have unprecedented control over many of the planet's geological cycles; the question is, how will the human race use this power?
结合现实，名字更讽刺了。但不明白女主为什么做不到剪断脐带。如果女人不能掌握子宫的使用权，那只能说，希望消灭性、消灭性别、人造子宫。
女人始终承受 男人总是缺位
还好最后小静没有事
这部影片由沃特鲁梅来主演可谓正合其时 她的罗马尼亚国籍承接了《四月三周两天》中的引产段落 而沃特鲁梅成名作演的是于佩尔的女儿 本片故事和背景是对于佩尔《女人韵事》的另一重补充与对照 这是一部运用电影语言很成功 但内容表达有所遗憾的电影 导演将《阿黛尔的生活》式的特写镜头对准沃特鲁梅 全程让观众得以身临其境地体会女主处境 故事虽还是表现堕胎不合法时代对女性主义议题的讨论 但通过特写镜头 可以明显感受到一个女孩在孤立无援情况下来自各个方面的压力 此外电影冷色调的运用也很成功 除了辅助主题 还衬托了沃特鲁梅的东欧气质 《阿黛尔的生活》也是蓝色主调 但相对本片明显暖了很多 女导演对女演员身体的不避讳也增强了临场感 男性凝视与女性关照的区别一下就出来了 但本片还是无法更近一步回应当下 尚不如《女人韵事》对女性剖析更深入
影片的压抑之处在于于绝望中不见悲悯。在主张堕胎犯法的法国，Anne身为一名成绩优异的大学生在得知自己怀孕后选择流产，但为了自身人生的可能性，她需要对抗的力量令人窒息，医生用保胎药欺骗阻碍、自信男同学的肆意挑逗、“闺蜜”的事不关己冷眼逃离以及“男朋友”的逃避冷漠，更为重要的，是她被一种“政治正确”所压迫，即所谓女性一旦怀孕，那她便因此需要负起所有的责任，包括身体上的疼痛以及道德上的羞耻，而身为女性，则处于被审视、被议论的角色，自身的自由与意志被一股强大的社会道德感所遮盖。毫无疑问，奥黛丽·迪万想要我们看到的，正是女性所处的被忽视的、不被尊重的处境，尽管影片结尾Anne重获了人生的自由，但影片的窒息感仍旧扑面而来。
好痛好痛好痛好痛 不知道为什么无限次代入自己 想着不论在不在堕胎合法的社会都不能乱搞…太痛了…
这样的真实影像表达只会让人觉得疼，而不是反思。
没有太多新意但足够直接。画框、景别、调度无一不在加强逼仄感。片名起得极好。最棒的是那句台词：一种只攻击女人的病，把她们都变成家庭主妇。个人认为在第一幕的铺垫中需要强情节把女主逼向更无路可退的境地，结尾的高潮效果会更强烈。去年的这部金狮比金棕榈给得靠谱多了。
很真实，很悲惨，一不留神的事，受伤害的只有女性。事后的惶恐日子，天天都是煎熬，冰冷的器具插入体内，生命随时终结，被羞辱地送往医院...。更应该给每个男孩看，一时的快乐，带给她人的伤害有多深。
60年代的法国，想到的应该是轰轰烈烈的左翼运动和激情澎湃的学生，这片却像是带观众走入了一片冷冰冰的的阴影地带，看得人冷汗直冒
#TIFF 2021# SPECIAL PRESENTATIONS。前入围2021威尼斯地平线单元。贾静雯这是要拿金马影后了么哈哈哈。片子的最大亮点大概是片头VCR钟孟宏自己玩的梗“我这次没有再跟日本摄影师中岛长雄合作”，笑了半小时……片子玩不确定叙事是挺有些意思的，但是拍得还是太电视剧了——同一件事先拍一遍，演员台词再说一遍，接下来再说一遍，明明画面说得很清楚了非要用台词说出来……看得是挺捉急的。在家里戴口罩这种设定有点呵呵（当然除非是不确定叙事的一部分）。看完觉得还有个问题就是有点太搬演社会新闻，比如结尾突然有个堪称WTF的事件。好处是贾静雯这个角色尝试“治愈”的过程和方法，确实遇到过一个类似的案例，很好。
确定
其余的 我们应撇弃
我已经开始有老妈子心态了。比起故事本身对堕胎权的探讨，我更想揪着女孩子们的领口大骂能不能保护好自己，能不能更爱惜自己啊喂！女性当然必须拥有堕胎权，只是除去那些意外事件，所有因为激情却没有考虑好当妈妈的女性们，都tm把脑子带好了，再考虑性好吗？老母亲式叹气😮💨
作为一个男性，我看了之后感受那种下面被踹的重痛。由衷敬佩这个女主角，以及赞叹能拍出这种有如此感官冲击力的电影的制作团队。
沉浸式恐怖大作，一种只有女人会得的病，把女人变成家庭主妇的病。
太细腻的三场堕胎镜头让人对那个时期的女性感到深深地抱歉和同情，女主的表现力也让人共情和揪心。电影通过女主和父母之间互动的前后对比，和课堂老师互动的前后对比，将一个怀孕女学生的心理转变描绘成了一张全景图。还好，最终，在医院医生的那一句“Miscarriage”中，观众的心也释然了。
《女人的碎片》《女性瘾者》这一类片子可以让男性也直击生理疼痛，从而哪怕有一丝超出一般人的共情能力。
我们眼睛是愤怒的
四月三周两天/从不很少有时总是，太真实太痛了..
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