Living with her father and stepmother in Naples, Anna is very unhappy as her stepmother hinders her attempts to live her own life. While her parents are away, she goes out with Carlo, but finds herself locked out when she comes home. This angers Carlo and he asks Anna to go away with him to Rome, where he plans to liquidate his business assets in order to have money for marriage. He quarrels with his partner and is implicated when his partner is found murdered. Although innocent, he is convicted and given a long sentence. Anna has a child and, finding it impossible to support her child , returns to Naples. The stepmother's conditions are that before she will agree to house the child, Anna must commit herself to a reformatory for unmarried mothers.
生前葬礼部分给我了好大的启发！我的三十大寿要不也这么过吧，把好朋友们集合起来，当面真诚地致谢🤗
天海老师太好看太可爱了吧！！！合租房只有在电影里才如此让人向往。
后期很仓促，画风实在不适合最后大战，讲讲妖怪和日常故事的话会好看点.
颇有些小趣味，养老只要4000万日元吗？只需卖掉一套一线城市的小房子就足矣
普通的灾后治愈故事，找到新家人。不过套了神话表现，还算有点想法。
可以理解为是一个风景片。前后风格不一前面是暖心的救助，后面突然变成妖怪篇。
好治愈啊！好好吃饭，饭后一杯茶，这就是幸福吧。就是好好走温馨向就好了，突然来了打怪好违和啊
颇有些小趣味，养老只要4000万日元吗？只需卖掉一套一线城市的小房子就足矣
蛮好看的，中产阶级的奔溃。呼吁大家不要在葬礼婚礼等等不必要的地方花钱太多，普通生活就好。
搞笑温情，看得出来天海真的很用力的在演。但是松重丰站在那里就好笑了。
亮点：生前葬礼，假装五月父亲骗取养老金!
7分。7分的剧本，8分的节奏，8分的演技，6分的立意和广号一样的结尾，有一种贺岁片的感觉。
为什么日剧总是有女婿这种莫名其妙的角色，到底为什么？简直就是生理性恶心🤢女儿起码是个正常美人啊，失心疯么？
有一说一，交待背景靠奶奶不断的讲故事的确让人出戏。最后希望我们“往事暗沉不可追，来日之路光明璀璨”。
虽然结构不是很紧凑，但好笑就行！甚至有些无厘头。诸如假警察比真警察更像真警察的处理，鬼马又细腻，导演内心肯定特别丰富。
大家都太苛刻了。现在是2022年吉林九台的疫情最严重的时候，这部片子带给我的小小的感动和力量都刚刚好。
遭受天灾和原生家庭双重伤害的人靠妖怪来治愈，太过理想主义。
佑希尼🌸🌸
太多现实问题发生后的Happy ending 是欢乐的有感动的童话呀！但如果真的有那样的share house，我也想去养老…
奇幻和日常部分的衔接有点问题。
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