Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
整个故事描述的还是很简单的，就像实际发生的那样，主要是看后面如何报复的阶段，但是后面也就几分钟结束了，其实该拍的紧张的部分没拍出来
毛熊🇷🇺爱国情怀电影，手法还是很老套爱回忆以前美好时光，对比现如今的生活，现实一样会为钱烦恼，为事业为国家贡献主旋律环绕全片。用飞行员老同志的牺牲升华主旨。轰炸机帅啊……
俄乌战争开战半个多月了，看了这部电影，别有一番感觉。
这个俄罗斯导演绝对是个钢铁直男。战争戏好看得一批，平民戏磨磨唧唧难看得要死，不得不快进。
男一演员是著名的Igor Petrenko。都没列出来
苏27。眼镜蛇机动都做了。。貌似司令部里的指挥车是哈弗h9。
这可甩了我国的空天猎几条街。有对苏联时期巨大军事力量的向往，也有对苏联解体以及后续的无奈。最后依然有传承。还能不忘初心，牢记使命。讲真，真不错。就是各种倒叙插叙看的略头疼。
没有字幕，但感触良多。特地下载了一个翻译软件，野生字幕。中间穿插的回忆，是非常好的设计，特别是结尾那段。穿插的回忆是苏联解体，信仰崩溃，遇见爱人，去叙利亚之前和民航那位上层最后的对话，“为俄罗斯服务就是我的工作”（手机就是这样翻译的），再到去叙利亚先立功，后牺牲，俄罗斯海陆空硬核救援另外一名飞行员，最后英雄遗体回国。最后那个纸飞机✈️飞向天空的情节真的很棒。苏联那段心情超级复杂，唉
电影是个好电影，还有哈佛车。但就是这俄语配音有点鸡肋啊
俄式主旋律大片，和美式主旋律片子一样。苏-24的几次近距离飞行拍摄很彪悍。如果按美式主旋律片子的模式，还会有一个叙利亚女孩，善良美丽，被极端组织胁迫，最终被英雄救出。前面的文线有些冗长了
比如成片音轨太瘪和画面的黑漆麻糊，
老毛子的主旋律，总是有着对解体前简单生活的怀念，对寡头的唾弃，但是现实还是残酷的
真的可以快进到最后苏醒的女主出厂那几十秒....我这是在等彩蛋的感觉..........
6.5分，支线过多影响了主线的拓展，第二集了世界观还没完整架构后面hold不住的概率很大。
国籍一换 肯定评论过千 毛子对战斗英雄足够的尊重
战争场面硬核，毛子国防部赞助。情节就…好多莫名其妙的地方，开始那两架直升机也太水了
空战陆战都很精彩，但就是故事拉得太长，煽情过多。
战斗民族战斗很干净利索！感情线很好的融入这激烈战斗之中。感觉剧情有点散，可以再聚焦！
整个故事描述的还是很简单的，就像实际发生的那样，主要是看后面如何报复的阶段，但是后面也就几分钟结束了，其实该拍的紧张的部分没拍出来
③这部完全就是将前作的故事内容重新复制粘贴又拍了一遍，很敷衍的态度！
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