Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...
Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.
Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.
Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.
Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
3.5，剧本超预期，在此之前很难对Netflix自家出品的体育电影抱有什么期望。虽然在受制于NBA超长宣传片和传统美式励志体育片的命题作文模式下，情节设定都偏保守、套路，但好在情感真挚，人生无论如何也会投进一次。亚当·桑德勒的内敛表演在银幕上很罕见，锋芒毕露，而中国最应该看这部电影的人，大概是身居要职的姚老板吧。
NBA球星接力出场，唯独爱德华兹风评被害。电影有明确的受众群体，来填补球场之外工作模式的认知。在NBA这个运作最成功的商业联盟里，通过球探挖掘、球队试训、体测、选秀、招募等一系列流程，最后体验的仍然是还原运动本身弱肉强食的生态定律。如同埃尔南戈麦斯一路逆袭的风光镜头之外是休赛期被裁的残酷现实。
阿博和斯坦的机场双向奔赴（对不起啊。。 以及灵魂黑夜总可以靠网络舆论力量走进走出 真是这个时代的叙事万金油啊
Juancho Hernangomez本赛季代表凯尔特人一共出场19次，最长出场时间15分钟，最高得分4分，被交易到国王队前，3次面对76人均未出场
很多NBA球星客串，亚当桑德斯演的真好，埃尔南戈麦斯也是真的帅，爱德华兹演的真他妈坏。这绝对是部好电影。
老詹搭台，全联盟唱戏，就像是看了一场互动真人秀，我这种已经多年不看NBA的老球迷看到一个个彩蛋都兴奋不已。但是存在很多现实性问题以及人物逻辑不通，比如球探的挑人标准，Bo从业余到专业的过快适应。76人这个家族设定，老爸去世儿子乱搞，女儿先韬光养晦随后出来重整河山，巴斯家族表示你还可以写得再明显一点…
天才不一定成功，驾驭千里马的不一定是伯乐。起起伏伏才是人生。燃。
感觉在recession就需要这种放肆荷尔蒙的电影
真不错 亚当桑德勒说喜欢篮球讨厌足球一定是他的真心话
看之前以为会是像狐狸猎手那样优秀的作品 但是电影还是太套路 家庭有问题的两个男主 相互帮助 球队大老板大资本家不为钱的笨蛋 主角身体条件天花板 但是没法掌控情绪的恶龙 包括电影最后的大反转太假了 优点是热血春药体育题材还是给到了情绪是放点
我感觉这电影，在国内花了钱啊？感觉是为了吸引国内nba球迷做的宣传，不过故事也没啥问题，不是烂片，很标准的片子。只是这个通稿数量和宣传口径，让人深思...
感觉这个片子主要表达的是体育里的脏话太多所以心态比天赋更重要 所以当年齐达内那个头锤是真的可以理解
大博班出来的两场戏我真以为是喜剧...算是篮球大联欢了，不光球星一堆，连教授这种网红也来了，没让他打场对抗真可惜。反正看完之后，胡安是真没演技...总觉着他这个角色是按照东契奇来的吧？
接近成功
好看，轻松流畅同时又工整套路的好看，剪辑非常利落，拍出了篮球比赛的节奏和韵律感。即便现在已经不打篮球了，依旧能够被部分情节燃到。Adam Sandler演得好，是不是又可以提名金酸梅赎莓奖了。
6/10/2022 中间训练的montage光看我就有被累到
你能猜中所有的情节发展，然而还想接着看下去的
好久没有看到这么激动人心的体育励志片了。故事很老套，但是导演和编剧却很老道。所以整体工整但是没有很算计的感觉。亚当桑德勒演的是真好。
而影片里的男主也很励志，但是感觉表现的还是不够好，事先已经跟他说了对手会用非常无下限的垃圾话来干扰你的情绪，结果他还是中招，而之后虽然是赢了对手，但是对手为啥就不再说垃圾话了？
网飞竟然给出了近年最好的篮球励志电影，且不用说多少巨星真实出镜。重要的不是上一场比赛，而是下一场比赛。希望我能记住，希望你也能记住。
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