Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
三星半，其实也还不错的，可能定位是过渡的一集，需要为未来打算，因此，导演放入了很多内容，无论如何，棒子国往国际化这方面迈了一步，挺好。
是不是所有的改造人都是一脸混混样啊
剪辑混乱，不如第一部，期待的打斗场面太快，让我感觉像暮光之城的吸血鬼一样
前半部分完全是第一部的剧情重新演了一遍嘛，还好后半段打斗还是很精彩，这一部感觉超能力也太强了吧，不知道第三部找到老妈之后战力要膨胀到什么地步哈哈哈
烂剧情，烂台词，还有这个更烂的设定。话说演中国人就不能好好学点中文吗！
比第一部野心更大，直接整出个山寨X战警了，通过多线叙事加入了更多超能力者，打斗设计也玩的更加放飞自我，往超英大场面一去不返，暴力程度与魔女凶残指数比前作更上一层楼，不过多线叙事写的实在太差，要熬过冗长的文戏，才能迎接最后半个小时的动作爽感，人物塑造感觉也不及前作，大量花式作死的工具人，魔女的角色感觉还没有女雇佣兵的角色吸引人，不过结尾埋的坑还是有意愿继续看下去的。（7/10）
从这部片子就能看出朴勋政的诚意了，这货真心实意地想要摆烂了，可能是要享受自己毁掉自己捧起来的ip的感觉？这次的故事用60分钟来讲我都嫌弃拖沓，硬生生扩展成137分钟，就这样两个多小时都没能刻画出来一个能令人记得住的角色，记不住，那人物所代表的故事性也就立不起来了，跟上一部的金多美一比，真心差太多，有人说动作戏爽快，可是并没能有质变上的提升，而且127空洞无物的文戏之后，没什么兴趣为之兴奋了
那四个人在车里为啥要说蹩脚的中文？？？2小时17分钟28秒大篇幅都是在重复第一部，后几分钟结尾才说了重点，重点就是请看第三部………
主角那个样子，为了后面的打戏而生吗？除了战斗力高一点，哪会可了，后面被直接晕倒带走，如果说一代入了这种世界格局，那么二就没有任何发展性剧情推动也没有太大。打戏很精彩，没了。还有真不行，你找配音呀，别再念中文了，太别脚了，我都抠出三室一厅了。
装b的感觉让我以为每个人都很强呢，结果最后打起来完全不够看，剧情也拖沓
人物太多，每个人物又都立不起来。乱成一锅粥。
找几个中文配音很难吗，太喜感了。女主的表演有点模仿金多美的感觉，反派装最牛的逼，然后被吊打，也和第一部一样，实力差太多了。不过还是值得一看的
演员的表演也是灾难级别的。
装逼失败！上海土偶讲中文我也就忍了，后来发现他们彻底来搞笑的，这种身经百战的杀人机器也会怕死？
等了三年，等来复刻版 三颗星，虽然这位小魔女更快更爽，下一部真要打下星星的节奏了～
普通人类＜1代（女队长）＜2代（土味汉语一伙）＜3代（女主和姐姐）。
朴勋政电影就这样，逻辑不行，但是逼格和打戏都能到位。这一部都能被骂烂，马上准备去看差评如潮的《乐园之夜》，说不定又是一个惊喜。3.5星。
理性平分3.8/5分
剧情太碎没有重点让人疯狂快进，文戏充满了脏话和故弄玄虚，那个龙斗的戏份又臭又长，这是给编剧塞钱了吗？打戏倒是让人直呼神奇，就是碾压级别的没啥期待性。这第二个魔女空有武力没成长性，是怎么凑够2小时17分的！可恶！
第二部的剧情有点碎，悬疑和温情都没有第一部埋的深。世界观和打戏倒是一如既往。原本很期待多美和宇植能再搭…
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