Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
刷子和土豆已经是好朋友了
开端🌚最后那个男的是谁哇就是，感情线更有趣了😅
图图的家，街景，超市画面精致了好多多了很多细节
为啥每次孩子找不到了，父亲都这么淡定；为啥父母在做危险的事的时候，总是不把孩子带在身边；恐怖氛围是不错，结尾太仓促和混轮。
一般般吧，妈妈演技还凑合，其他人基本都offline，女儿有点像大妈；
。。。Yaz的告白被B站删了，但这质量我也完全不想再看一遍原版。。。
照搬一些tv的剧情，然后再填充一些无聊的内容就可以上电影院了，我是真没想到！这完全还不如上一部电影，至少是完全的新内容，特别是这一部我看到最后的时候，还觉得剧情就这么结束了！？就这些吗？当真是……这个冷饭都炒不好，还能指望什么呢？没去看之前我还疑惑为什么我附近的电影院都不怎么排这部动画的场次，看了之后才发现是真的无聊……
过于敷衍，除了最后二十分钟养老院表演，其他全是原动画片里的情节，骗钱
对比面目全非的大头儿子和舒克贝塔，图图还是好可爱哦
把童年回忆拼凑在一起了。这名字取的，还以为图图去丛林探险了，结果是关爱老人的主题，还不如换个更直接的名字。
献给情怀的作品吧。没看过图图的人看应该很好，看过的会发现好多剧情重复。我已经读了大学，图图还是那个鼻子会冒鼻涕泡的3岁小孩。很适合小朋友看。
hhh好有年代感 电影院里的小朋友们都没见过座机 也没有听过邋遢大王的主题曲！看完记住了一句话！关爱今天的老人 就是关爱明天的自己！
入场前我在心里暗想，我永远愿意无条件去看大耳朵图图的电影。但我错了，笑点用梗拼凑，剧情断裂（就压根没想好好讲故事），工业化和商业化气息扑面而来。
结尾处图图他们唱着葫芦娃来到公园，听到另一队唱着邋遢大王，还有一队唱着黑猫警长，大家相视一笑，原来都是一家人
三星给回忆杀，不能再多了，ip不是这么浪费，结尾邋遢大王葫芦娃黑猫警长的拼接还能再敷衍一点么。虽然是动画片但很主旋律，刻画了老年人的孤单和多子多福的热闹生活，激发了观众生孩子的热情。
很久没看过院线的儿童动画片
乱七八糟的怪物我能忍，乱七八糟的剪辑我能忍，对于这种失智妈妈智斗失智怪物的桥段令人发指，如果我有罪，请让法律制裁我，而不是用烂片浪费我的时间。
炒冷饭？上影厂应该是带着政治任务来的，来宣传三胎政策，多子多福
低成本恐怖片吧。我觉得全片亮点就是，数数结合恶魔贯穿整部电影然后物理公式成为咒语，脑洞新奇。最后一家人还是得整整齐齐！😂
没想到2022了还能看到这么傻白不甜的time loop……除了结尾的烟花和突然走了下博士Yaz线，故事本身只觉得一直在拖时间
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