ITV六十年代之经典科幻。 sonychen 注 A high-ranking but un-named Agent in the British Government resigns from his job/post and leaves for a holiday. While packing he is gassed and is taken to a beautiful but deadly prison known only as "The Village" where people are taken, given a Number to be called by and kept there for the rest of their lives if they don't tell No. 2 (the deputy head of "The Village") the information they are captured for. Escape is nearly impossible as "The Village" has amazing but deadly weapons to use if anybody tries to escape. The Agent is given the title of "No. 6" but he adopts the name of "The Prisoner". The series tells of his attempts to resist the plots of each No. 2 (who is replaced with another if an attempt on No. 6 fails) to get his information and against any attempt to disrupt the nearly peaceful running of the "The Village". The Village is determined to crack The Prisoner by attempting to get the answer to why he resigned from his job/post. As time goes on, two questions plague The Prisoner's mind - How can he escape and who is the real leader of the Village - the mysterious No. 1?. Written by Lee Horton {[email protected]}
大概是迈克米尔斯剧情最弱的一部，虽然依旧是一曲温暖的散文诗，但台词过于密集了，又没有中心，看着有些疲倦。
not to be selfish, not to be bad, not to disrespect, and to have close feeling for your friends and parents.
多说一句，论治愈程度，比《健听女孩》好太多。糖水喝多了会齁着，淡茶却能让人找到内心的平静
黑白光影下的城市很美妙，孩童和成人的世界相互交织，汇聚成一首献给生命和地球的诗
水准线上的电影吧，第一次在电影院看剧场版，确实有些惊艳了！灰常不错！安室真的真的超级帅，松田也很帅，过去的警察五人小组里的都好喜欢。喜欢跟着柯南破案，不用动脑子的开心～
今日在吉隆坡看完首映，开心，绿川光的声音出来我就圆满了，多了就不剧透了，期待M26
看完有一点难过 不顺意的人 在人生任一阶段都可能重新体验“当小孩”的过程
Star Child故事赞。
Your typical nice looking, "heart warming" A24 flick...unrealistically precocious kid paired with confused middle-aged man and through turbulence and conflicts they gradually learn from each other and cherish the experience forever --- I have seen this one many times before. The "it's okay to yell, and then yelling out loud" scene in particular is soooo much of a cliche. Cinematography is alright but not really impressive, watching this back to back with Red Rocket the difference is so obvious (ok B&W is at disadvantage but still).The interview bits aren't integrated organically into the story, and it feels like the feel-good, "heartfelt" material got mixed in just for audience appeal.
很意外！做好了和朋友吐槽的准备没想到居然还不错hhh
So gentle. 喜欢这样一种影调，它不会让你觉得生活美好的夸张，但也不会让你在城市的黑暗中痛苦沉沦。把话筒递给所有人，也把话筒对准自己。
水准线上的电影吧，第一次在电影院看剧场版，确实有些惊艳了！灰常不错！安室真的真的超级帅，松田也很帅，过去的警察五人小组里的都好喜欢。喜欢跟着柯南破案，不用动脑子的开心～
@上野toho 真的好喜欢安室透，虽然不太了解警校五人组的故事，但是想回家好好补课了。（时常感叹会日语真的太好的瞬间就是在电影院无字幕看电影
城市影像方面不太够。但情绪上完全被抓住了。倒也不单纯是“治愈”，而是温暖、欢乐、舒展、无奈、绝望等等一系列感情的混合。
Robbie 的摄影在黑白里失去了特色 当然手法本身也没有了以往的痕迹 Joaquin 与 Woody 的互动层面 隐去的部分和表现的部分 互相消去了一些
复活节，里米尼Fulgor费里尼厅，放映前售票员感谢大家在特殊时期还支持院线电影。“你会记得我，记得这一切吗？”
舅舅和外甥互相帮助，互相陪伴，解决了各自的心理问题，结局是好的。
我觉得还行吧，但是也找不到小时候看柯南的感动也惊喜！
还是挺不错的个人觉得剧情不会很无聊 支持一下！🌊
穿行在黑白的城市间，回归到生命和亲密关系最原始的状态，天马行空的交谈或许没有实际的意义，那就用这样的对话治愈心灵吧，会思考的灵魂格外美丽。
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