The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
《希尔达与山丘之王(2021)》 （2022.5.1） 4
继裸熊之后最喜欢的动画片！大电影比之前的立意更加深刻情节也更精彩。最后的结局也太温暖了呜呜呜T T好爱这种怪诞又温暖的童话故事啊。Hilda的整个系列都特别feminism，全程看着好舒适！
最后巨魔妈妈的发言也太治愈感人了吧，新年的开始就被暖到，期待第三季的播出
母爱内核永不过时，剧情真的是猜不到啊猜不到，好温馨
感动，在这里看到了人类最美好的品质，善良和勇敢。
我覺得我可能得了看動作戲就會睡著的病 又給我看睡著了
但是好喜欢它的风格主旨色调
希尔达永远没有让我失望，它是我目前看过的最好的儿童动画片了。
看个动画长片发现了一个宝藏动画剧集 作者一直在处理母女/子关系 或许就是个 孕育人与子孙后代关系的母题 人物很可爱 大人看也能受到启发
建议没有看过剧集的，不要看了，浪费时间。
比起第一二季看得没有那么舒服 题材的母爱也是我的痛点……但是喜欢
结尾节奏有些赶，但是不妨碍一如既往的治愈功能，看完整个人都好了
剧场版削弱了冒险和灵动，转而通过故事冲突来表达爱的主题，我还是更喜欢wild的部分。
一整年了希尔达终于变回来了，最美的意象就是从花苞里飞出来的那只鸽子，你可以永远相信子供向！
最后结局格局真的很大，竟然人类和巨魔也能和平相处，所有巨魔在广场上长出各种奇奇怪怪小花的那一幕很可爱，也很感动。果然希尔达的世界永远充满了爱、包容和理解。
故事很简单，但也真的好感人，再多的技巧都会败给真情。
my children, I am proud of you. you may not remember me, but I have never, and will never, forget you. Take care of one another. Be strong, be good, and know that I am never far away. -Amma, the Troll Mother
我看的好舒服啊
原著还是更好一点欸我觉得，电影版有一些不错的加戏，但整体改编得我还是有点失望，没有午夜巨人那篇改得好。
结尾节奏有些赶，但是不妨碍一如既往的治愈功能，看完整个人都好了
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