Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
终于体会到到处找彩蛋的感觉～哈哈哈哈哈哈哈
彩蛋和梗密度之高，甚至可以碾压头号玩家和无敌破坏王2。迪士尼自家的IP就不说了，狮子王，星战，白雪公主，疯狂动物城，无敌破坏王，漫威等等等等，甚至还有大量非迪士尼梗，包括速激，蝙蝠侠，战神金刚，辛普森一家，瑞克莫蒂，芝麻街……甚至还有宇宙巨人希曼这种上古IP，真正是照顾到了所有人。虽然看到自己喜爱的角色在大荧幕上再就业确实一本满足，但是个人并不是太赞成这种投机取巧的创作方式，我还是比较value好的剧本和内核。怀念上世纪90年代原创性十足的好莱坞。
迪士尼反盗版宣传片，顺便展示一下手握大把ip的财大气粗。
炒冷饭，但是好下饭，技术版权方面纯纯凡尔赛
彩蛋量是头号玩家级别的，世界观和信息量都撑得住剧情普通
松鼠大战！迪士尼这些年来积攒的IP就是他们巨大的财富，这几年都在不停的卖情怀，这部电影是迪士尼迷的狂欢吧，里面好多吐槽的挺敢黑自己的，比如预告片里的丑索尼克都能当个花活玩，还有迪士尼甚至可以说是令人发指的维权意识，整体还是很欢乐的
Chip.n.Dale.Rescue.Rangers.2022.1080p.DSNP.WEB-DL.DDP5.1.Atmos.H.264-CM
各种角色都是小时候看的了忘得差不多啦…
6.2分。除了情怀啥都不是。唯一一个人演的主角还是个黑鬼，可悲的好莱坞！
自家别家大乱炖可还行~就是真人2D3D混一起太违和了~
全片我都完全被卖情怀的功利心和阴阳怪气的恶心劲占据了视线。一文不值的烂剧情丝毫不见诚意，完全把海量IP往上堆，人家是剧情里找彩蛋，你特么是彩蛋里找剧情？最恶心人的是翻来覆去地提哎呀我过气了，哎呀没人看我了……说一遍是自嘲，翻来覆去地说就像祥林嫂一样讨人厌了。而且你过气要怪观众吗怪盗版吗？把动画艺术弃之如敝履的不是你迪士尼自己吗？没有任何创造力，要么靠大撒币收购，要么就搞这种缝合怪，迪士尼才是这世界上最大的反派好吧！
友商的那些彩蛋是怎么谈下来的啊，比星战、漫威、皮克斯的还密。
就是這個配方.......就是這個味兒。然後大D家這次真的是把壓箱底的IP都挖出來搞聯動了
对比迪斯尼的那些糖水合家欢，这部作品里的一些梗和讽刺有点狠，甚至有自我冒犯的意味，大概是原作太过久远和低龄，用现在的方式来翻新不太合适，所以成了这种以调侃和致敬的主基调，但是剧本主线仍旧让人提不起兴趣。
还得是Disney啊 算是把版权玩明白了哈哈哈哈
要是一直保持前半段的水平倒也不错，但越到后面就各种形式的下滑。
故事非常非常一般，全片的梗堆得也太多了，全靠梗撑着，不过还是挺好笑的，及格分加一颗星给梗。虽然主角都是动画角色，女警演得也太牵强了，你是一个粉丝诶！最后见到偶像表现得皮笑肉不笑真的好吗？
不仅仅是美国经典动画角色的“我胡汉三又回来啦”，更是整个美国动画界的“所有风云人物都会来的超屌派对”，不同技术、不同帧率、不同画风的动画角色与真人演员同屏共演，可谓梦幻；此外，该电影甚至还专门安排了霸凌对象——惹恼过版权霸王迪士尼的盗版/仿制动画商。不过，玩梗玩情怀玩彩蛋终究是可一不可二的创作思路，特别是在珠玉在前的时代里，本片整活不够出色，剧本还格外苍白平淡，因此一旦撇掉情怀滤镜来看，此片可真不够娱乐——甚至不如琢磨片中的CG技术有意思。
故事蛮无聊的，但胜在梗多且密，基本囊括了迪士尼有版权没版权的近十年最火的大银幕二次元三次元的各种元素，只从这个层面看，这片相当于迪士尼的头号玩家
新瓶装旧酒。确实是个老派的故事，但是表现形式耳目一新，3D2D齐上阵。迪士尼不亏版权大户，到处是彩蛋，还把不属于自己的也拿过来了，可惜认不全。最后拉尔夫的手臂真是一眼就认出来了哈哈
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