The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
除去结局后的末尾10分钟还挺精彩的，煽情有点乐意，感觉导演好像在用灾难套路，但是有点失败了。光洙上了太多综艺，观众对他没有新鲜感？自带喜剧效果
不错的动作电影，做为一部网大已经相当不错了。
既然是个胡扯的喜剧片，怎么不把人都救出来呢？
刘在石说得对，李光洙完全可以从车上下来的…总之，浪费时间。
算制作比较精良的网大电影了，打斗场景特效非常到位。
也不算太差，很多人吐槽的那个救命黄桶潜水艇应该是第二栋倒下来的房子上掉的，水升的这么快很正常，地下几百米没有水才奇怪呢
个人评分7分（主观影评，不喜勿喷）
灾难片这个类型韩国导演玩得太溜之后，也就变得无趣了。
这导演水准下降很多，主角光环亮的我闭上了眼，情节老套，喜剧又不特别喜，悲剧又不正经的悲。可怜的只有失孤痴呆老太太和失孤单身母亲。嘻嘻哈哈插科打诨，浪费了几个主演，他们明明可以演别的类型电影。。。
毕竟山西的地下都快空了
核心设定“天坑地陷”本来就很扯淡，还没做扎实，居然想拿不好笑的搞笑桥段凑时长。
灾难片却能用喜剧去消解灾难，简单又完整，实在也不贪心，这不比同期的峰暴香？
还在地震带上
片子不错，近期少有的动作片，重现了当年港片动作片的水准。
与其说是灾难片，不如说是搞笑片。片子的大场面实在太少了，更多的是斗嘴和使绊子。
完全不知道应该将这部电影的定位放在什么类型，你说它是灾难片，当你投入的时候又突如其来给你一个搞笑片段，问题是又不好笑，这样的情况出现得十分频密。既没有灾难片带来的灾难感，喜剧又谈不上，两头不到岸。
好看，没反应过来就结束了！男主不认识，痞痞的还挺帅。能让我把片尾曲听完～不容易
②剧情未涉及任何政治一方，留给观众说
- 但细心想，总觉得对灾难的刻画有点儿戏。
三星爆米花，李光洙每次看他演戏都觉得神奇，毕竟还是习惯他在综艺里面。
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