Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
晚上整理网站无意间点进这个电影页面，然后就看了几分钟发现还蛮好看的，就索性熬夜刷，打戏很精彩，拳拳到肉，马东锡依旧那么能打，毕竟吨位摆在这，打的姜海尚想哭都哭不出来，这姜海尚也是挺狠的，见一个捅一个，砍人利索，下手快准狠，脑子也好使，唯一的缺点就是砍人没有特写。。
下下下下部马东锡退休，被变态逼得出山，顺带教育了只按规章办事的后辈警员。
《犯罪都市2》和首部一样酣畅淋漓。各国犯罪动作片日渐式微，好久没看到如此激爽的了。建议“韩国巨石强森”·一拳超人马东锡火速加入复联。上部“哈尔滨张谦”后，新任反派孙锡久更为惊艳，疯批又阴险，之前在《我的解放日志》里就觉得他很合适演杀手[旺柴]。现在各类动作片里的马东锡并非只是单薄无脑的工具人形象，开始形成极具特色的个人风格，期待下一部佳作。
不知道那裡不對 我竟然看到睡著！！是因為我喝酒看電影了嗎？不至於吧！但整體確實沒有第一集來的好看。馬大哥幾年不見胖了好多，反派的演技還是可以的很兇狠，但沒有第一集反派來的狠毒。
马东锡:我来越南只干三件事，扇嘴巴、扇嘴巴还是扇嘴巴。背景音乐:See Tinh，丁丁叮当丁丁当叮叮……
不得不说，导演选反派有一手，上一个男人气质拉满，这一个看起来人畜无害，却每个都演绎变态血腥。
说实话电影很一般。并没有比1好到哪去。马东锡的角色没有任何变化和成长。孙锡久演的头号反派，其实原本有潜力成为很有意思的角色，无奈剧本太普通，让这角色太扁平。为了暴力而暴力，但没有给观众他这么暴力的理由。我不介意看暴力，但必须要说服我为什么暴力才行啊… 片中好几处情节发展都毫无逻辑。比如警察原本不知道姜海尚在场，但姜突然冒出来捅警察…还有姜在越南待得好好的，回韩国干什么，自投罗网吗？拿钱的理由根本说不通。
面对胳膊比大腿还粗的壮汉，能有勇气一战，已经是非常厉害的坏蛋了！
7分。马东锡实战是不是真的这么厉害哦。这片还是很过瘾的，动作戏既狠又硬。孙锡久演的姜海尚很不错，非常残忍的亡命徒，没有底线，略微变态，手里一把小砍刀，佛挡杀佛人挡杀人。可是再厉害也没有马东锡那么厉害，这哥们已经不需要任何武器了，赤手空拳不超过三拳就能让对方失去战斗力。他最后和反派在公交车里的动作设计还可以，看得很解压。最搞笑就是马东锡去找朴智焕那场戏，他伸出手来摊着，嘴里倒数“一二三”，居然是那么好笑的一个桥段。这个梗是不是在第一部里也有啊？
能看到神·马东锡暴揍对方，就已经很爽了不是吗？还要啥自行车呢
马东锡太可爱了！具先生砍人好可怕哦！几处小幽默抖得挺好！
还不错啦，勉4星，这两年韩影里，属于为数不多下饭电影了。搞笑+动作都很不错了，虽然恶人的形象单薄，但是属于这几年韩影里不错的电影了！
男主aka一拳超人、超有型反派、一个喜剧丑角，很标准、很解恨、很棒。“无法遏制的情绪”才是犯罪都市的主角。爆米花🍿️消耗量超高！
虽然打戏和血腥的段落比第一步增加了许多，但是紧迫的氛围和燃烧的杀气反而有点不足。（但是马东锡真的帅）
就你多拍点马东锡扇巴掌就完了，别整花的，玩批了不是，观众想看啥你不知道吗？更别提1里的烟火味，乡土气，多好啊，到2成了超英了是吧，醉了。
没想像的那么精彩，还是不够血腥，不够风格化，男主想怎么干就怎么干以暴制暴的气势没有起来，更喜欢魔女，
东方面孔的西式警匪片，毫无动作设计，警察也是傻得惊人，抓捕重犯，没有配合和携枪，为了打架而打架。。。
马东锡凭借一己之力，彻底颠覆了我对韩国男子花美男的形象。
建议改为《西八都市2》，看完电影别的没学会，就光西八了。
孙锡久好性感，靠，马东锡饰演的就是韩国战熊嘛。7.2
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