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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
故事内容：一直干白活的范大明白，在东北开一家殡葬礼品行，一天突然接了个大活，300万的葬礼，佣金30万。但是一个道上有同行争抢正常，他面临一个难题，300万怎么花。找明星，想法设法花钱，最后不断反转的结局有点意思。
万玛才旦监制，嫡系班底护航，包括了德格才让声音指导，意象、声音与万玛才旦电影相通。诗电影追求简单、凝练，最难处理的就是意象符号使用，多则繁，少则薄，本片剧情没表面看起来那么拉垮，不过意味和立意确也不深。影片后半部分真实拍出了战争之残酷，几场水下戏、林间枪战是亮点，部分意识流段落堪称佳章。镜头里，青年演员被拍得特别有魅力。PS，看来以后此类电影不仅要有文学顾问，还要有党史顾问了。
还行，抖音预告我都看的差不多了，崔志佳第一次导演，还行
三颗星给影片本身，一颗星给导演，能感受到崔志佳确实是非常用心拍的片子
真是那点搞笑点全在预告里了，结尾彩票还行。“葬礼压根就不是给死人办的，是给活人看的。”
感觉挺真诚的，没有那些恶俗和屎尿屁的情节，就是从头到尾没讲刘平安把他爸怎么了，中间致敬彩蛋太多了，不过整体不流畅，比如依依的病，两个人学英语，倒刀爷和他爸之间，赵大明白欠钱这些片段都感觉有点冗长
还算可以，不管咋滴还算是完整的故事，也有笑点！梁龙老师要唱一宿，哈哈哈！
四不像电影的典范，像学生短片一样割裂不自然。有调度的美感但是没有剪辑的思维。有制造造型美的野心但是没有驾驭长镜头的节奏感。丁达尔很美但是设计感过强。所以前后镜头差别太大，所谓画面美不像是摄影师的功劳，更像是团队回归了老本行。在表演上也成问题，很多调度演员明显没有踩在镜头的点上，说方言也是吴语一锅炖，指鹿为马。或许电影有某种诗意吧，但是台词太罗嗦太烂，没看出来。不过结局还算有模有样/这种跌跌撞撞混杂的电影让我想到了我的一个朋友最有拍电影热情的高中阶段。当时他为了拍电影可以三天不睡觉计划落实到秒上。但最后效果也是这种毫无风格和节奏的混杂。不过还好，当时他不觉得烂——真好啊。怀念他！
粗粝却细腻。在商业大片队列之外有这么一部，它的存在值得注意。
佳佳，大潘 这些都是东北非常好的喜剧演员啊。还有宋晓峰，之前看过他的我不是酒神，也很好啊。东北取景，东北的事儿，拍出来很好看。
千万句吐槽，我只能说一句：主创们是真不会讲故事。
这个打三星，可能只是因为对于崔志佳等人的情怀在吧。
一般般，受限制于审核，有点加长小品的感觉，最后搞个反转却尴尬到死的结局。拆成一段一段来看不错。
我单纯为了这个电影的调色来看的，剧本就不探讨了..production也太差了，差到太影响感官我根本就不在乎这个电影讲了什么了。我还翘班来看的，我是为了什么，一颗星也不想给
2021北影节。比故事和人物更印象深刻的是影像。一开始是1个人，落水后是2个，山洞里是3个，中间的时候是8+1，突围死掉2个，水下死掉2个，然后重新集结决战，最终成为0。
三星半，挺诚心的，值得鼓励，最后的彩票点睛之笔。
#BJIFF2021主竞赛单元#中国美术学院作品，美术实在了得。同《影》一样的水墨化色彩，解决了《影》里脸部发绿的问题，这种去饱和的色彩还挺符合战争题材。剧作方面还是散了点，导致影片内涵很浅，如此拍电影，讲故事似乎成了一件形式主义的事情。
对于他的第一部导演处女座和首次主演来讲，还算可以了
从爱笑会议室就看出来，那帮人都身怀绝技，佳佳更是如此，在喜剧方面的天赋肉眼可见。虽然故事略显粗糙，演员演技和镜头设计都很让人惊艳。作为网大喜剧来说，无疑是合格甚至优秀的。
除了最后的升华这个地方扣一星之外。基本完美。
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