A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
nina确实老了，但年轻的时候好美啊！！！！
全员小黄男+白女的配置，小黄男的崛起。。。
无脑christmas合家欢 一分感动三分好笑 米儿说这个电影叫丑男的春天
从选题到选角到message都紧扣时代脉搏；如今除了文艺片，看所有电影都有高考作文感了，pitch meeting难辞其咎；Nina的脸这么快就垮了，和ageless亚洲脸站一起看着像两辈人；有被consent版baby it’s cold outside萌到；过节的晚上看很满意，欧阳万成作为男主最满意
能不能别把亚裔搞得那么丑，求求了。剧情就那样，你吃个饭看的电影，还想怎么样。
看了10分钟关掉了，为啥21世纪第二个十年的小鸡电影的俗套都能比上世纪90年代烂这么多。
烂尾 但是立意还蛮不错的 照片catfish 和假装自己喜欢什么什么 等等 到底有什么区别呢? 其实仔细一想区别也还是蛮大的...大多数人都以貌取人 不会很在乎其他这些吧.....而且更重要的是一个人长什么样和身份是密切联系在一起的 身份证啊什么的都需要有照片 但从没有人写自己喜欢什么 这样一想 甚至连学历啊工作啊收入啊和一个人长什么样相比 好像都显得微不足道.....
精致的流水线作品，很老套的故事，最后还设计个真爱至上
全场最惨：又有意思又贴心的帅哥Tag
我好喜欢啊阿啊阿啊啊啊啊啊啊。这种简单快乐有点小细节的电影太容易让人肤浅地开心了
奈塔丽对猕猴桃过敏的时候，在酒吧唱歌那段真的笑死，表现狂魔表哥欧文也超级搞笑😅😅😅
为改良版的baby it's cold outside加一星！（以及我素颜中分带眼镜干活的样子真的好像jimmy yang）
艾米丽在巴黎的乡村爱情版本。美国下饭剧里的亚裔家庭未免也太可爱无害了吧。和现实生活中的的亚裔家庭有关系吗？
&我太喜欢KK了哈哈哈，再来一遍LoveActually也许也会忍不住冲冲，划船走路、累了休息时改改essay 也许剩蛋伊雯还能到呆梨举牌子哈哈哈
男主太丑了。这剧情放在上世纪90年代才比较合理吧 不敢相信是2021的片
终于有人说了 love actually的确是世界上最难看的圣诞电影
一眼就能猜到结局，catfish歪打正着的真爱故事，personality > looks but without the looks who wants to know your personality
不过欧阳万成真的可爱 好像大雄 女生站在他旁边仿佛他的私教
Nina Dobrev还是那么美😍Darren Barnet已经变成chick flick hot guy专业户了吗哈哈 鬼知道最后致敬love actually那一段我哭得有多惨😭ps.美国人真的11月开始过圣诞🎄实锤 pss.真正的幸福是从爱自己开始的（百说不腻的鸡汤
超级爆米花无脑电影，每个人都很平面，大致的情节走向也能猜到，但是仍然很解压
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