Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
有个小反转的悬念片，活着留下来的两个人是一伙的
话痨话痨话痨！有说话那功夫直接拿枪把墙打穿就完事了~政治必须正确！米国这是搞WG吗？！
好看,,,,比我最近看过的一堆烂片都好看,五星推荐
几个主演都比较hold得住节奏。不过结尾两人一伙的？？？有点莫名其妙
啥啊这是…除了公路上美丽的星空啥也没记住…
坏蛋维迪克和瓦莱莉警官身份对立一黑一白，却惺惺相惜，不知道女主经此大战，会不会三观崩塌
又是一部小场景而靠剧情取胜的电影，在一个边陲小镇的警察局，进来的几个都是凶悍的猛人，看谁活到最后。剧情的设定本是不错，但是过程总是欠了点火候，沸点不到，不然评分应该更高。
剧情拖沓，动作戏少得可怜，长大男不讲武德，原来醉酒男才是王者
费因斯的叫声好sexy,我竟然没认出Tristan是古迪！
（在UK看的）上一部我夸🐂的片子还是利刃出鞘
合格的边缘，但还差一口气。动作指导并不知道哥萨克刀法是什么样的。
剧情拖沓，动作戏少得可怜，长大男不讲武德，原来醉酒男才是王者
三流的剧情
以为是个惊悚人性片,结果就是个警匪动作片...
对话有点太长了都，打的还可以，神经病那个有意思
所以女主你是為什麼一開始就不按那個可以讓方圓20公里的警察都過來的按鈕？？？
女警，彪悍派！人物个性鲜明，但故事张力一般。20211119；
逻辑有点混乱，正派和反派都死于话多，变态杀手是亮点
三星半，合同工和神经病的区别还蛮有意思的，最后也不必那么正确让女主继续追捕吧
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