Teenaged siblings Girly and Sonny lure young men back to their home to meet the eccentric Mumsy and Nanny. There, the men are forced to take part in strange games, the rules of which are never defined - and if they refuse, or transgress the unwritten rules, they're killed. But they may have met their match in New Friend, their latest victim, who starts to manipulate the foursome, setting one against the other.
Bizarre combination of late sixties avant garde and sleaze. Director Freddie Francis had made horrors for both Hammer and Amicus but this is nothing like any of them. Shot on location with an atmosphere mixing playground horror and conservatory theatre that is downright weird and unsettling. The great lost girl of sixties British horror, Vanessa Howard, shines as she does in those other rarely seen gems Corruption [1967] and What Became of Jack and Jill [1972]. If Harold Pinter had made The Texas Chain Saw Massacre [1974] for the BBC this could have resulted. Excellent and unique.
最后的反转有点意思，其余就是韩式自洽电影的套路…
20220604withkumamon 深渊无法填平，只能吞噬。
各种所谓的反转满满的都是套路，没有新意，作为棒子的戏这个也就在及格线上下！
毕竟财阀真的有能力把所有人都收买了，在金钱的诱惑下可能很多人都经不起诱惑。
卧底隐忍复仇的剧情太过老套，但是影片的立意很棒！
如果天朝的毒奶粉案能够拍成电影，应该比空气杀人震撼100倍！
还蛮差劲的，主要是无法代入感情，所以结局再怎么煽情，都觉得一般般。
剧情走向…有一种把所有东西往里塞的感觉，到头来一个都没讲好，最后是个ambiguous ending
虽然同作者不如再也写不出素媛这样的神作，但他一直在坚持他的坚持
电影本身不行，剧情也不吸引人。一星多给最后的镜头。
偶尔的还行，基本就是离谱，镜头真的框不住为了让剧院后排观众也能看清的表演力度
韩版黑水，最后各级部门相互推诿的样子像极了某x，还有那个说自己是英国人只在乎赚钱不管人死活也是那么的熟悉…可惜有些不公还有人反抗和记录而有些只能404
剧情有点平庸，现实不够无力，最后的反击又不够让人兴奋
韩国拍的事实片总是这么尖利，但却能直击人心的恶
故事比较单薄，情节也很平，但是歌真的都很好听！！
i'm waving through the window
故事并不吸引人的前提下，剧情无趣节奏缓慢，离及格线都还有些距离
拍成电视剧感觉会更好！韩国在拍这类题材上一直没输过！
五味杂陈。上面的人把责任像皮球一样踢来踢去，受苦的永远都是平头老百姓
老太太病床上的女儿，有水俣病那味了。
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