With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
看片名以为忙内学坏了，其实没有你们想要的画面
情绪其实有点难带入，对男女主愿意选择彼此的原因，不是很理解。但能知道，我们都希望有机会被另一半接受，也希望自己爱的人，是喜欢自己的所有
无论支配者还是臣服者，施虐者还是受虐者，我们都在努力寻找那个能接受我们假面下真实自我的人，不放弃，继续寻找，方可有一丝机会能找到的人。只要遇到那样的人，哪怕人生天翻地覆也在所不惜吧。
对于BDSM有一点科普性质，观众见证了女主作为S的成长过程，她不是五十度灰男主式的experienced sadist，不是仅作为男性幻想存在的；将以consent为前提的健康SM/DS关系与本质为性骚扰的职场关系平行对比，具有一些教育意义。设定不错，可惜浅尝辄止。
你说是AV吧，它连个肉都没露，你说不是AV吧，还真是一点剧情和逻辑都没有，唯一的看点就是男主的颜了。
我是跳跃看到后面看的 看着看着突然觉得好看 然后又从头看到了结尾 😂
本以为是亚洲五十度灰，没想到不情不色，甚至有点矫情，屁都没讲。
尺度完全没有想象中大，纯情得跟偶像剧一样。男女主选角真是不错，最好的台词是那句“都做到这样不发生性行为不是很奇怪吗”哈哈哈
本质上的爱情轻喜剧，男女主人公的演出让性张力加倍！！
DS关系的外衣，是时间累积下感情的涌现。小众，不落俗套
还可以吧，这种题材拍的科普轻松又幽默，值得一看
徐贤真是越来越漂亮了。初始带着好奇去看，以为男女团都能接分级片了，实际上镜头很清水，男女主是纯爱。不得不说男主还是牺牲了不少，我都快想不起来《模仿》里的高冷酷炫男了。
现实生活中不单有人误解DS，大部分人甚至连恋爱究竟是什么都不知道。
徐贤脚一般，不功不过。踩脸缺乏冲击力。
了解之后确定了bdsm果然不是我的xp，男女主颜值还可以演技着实感人
非常典型的韩国轻松性喜剧。整体拍得蛮细腻的，开头还挺吸引人，男女主的火花感也挺强的，属于乐而不淫哀而不伤的小尺度。后半段过于冗长，一些诸如前女友这样的设计没能产生足够的功能，有些强行收尾，难免遗憾。真想看男女主演一个尺度大一点的SM片...
男主很帅小奶狗可爱 normalize BDSM多好！
科普了一下DS也算难得，在谨慎尺度内。呜呜呜忙内长大了。
小奶狗好可爱好可爱！真的长得又好看又可爱！
原本以为这是一部主打色情性质的片子，万万没想到它会在后面展示伪dom事件，以及展示出那么多社会对女性的不公。
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