With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
恶魔的驱除上帝仪式？看的好荒唐，演员得多吃金嗓子喉宝。
轻松幽默的美式爱情小品，可能看的版本翻译的不太好，一些地方翻译的都不太对，影响了部分台词的理解。剧情还是可以的，不过女主还是有点婊了，明知对男主有感觉还去和别的男的好上了，然后说甩就甩，然而男主真的是无可挑剔的暖男啊，颜值也高，咋一看真的有些gaygay的，试问哪个女生不会心动呢！？可算是便宜了女主了。总体来说，有点俗，但是还是比较有意思的职场爱情片了。
制作精良的驱魔电影，很多镜头超级恐怖，非常值得一看
耶稣和玛利亚被附身是有新意的
没谁了，恶魔驱逐上帝离开神父的身体可还行。恶魔和神父互骂。
美式办公室恋爱喜剧，男主女主长的都不错，两人一间办公室，开始不对付，之后慢慢各种套路和剧情，后来电梯里亲上了，之后就是各种浪漫撒狗粮，最后两人在一起，马马虎虎，这种片子要出彩一看演员，二看剧情。这部片子属于及格水平，不上不足，比下还可以。
想法很好，但是剧本不够扎实，还是吹爆驱魔人
有巧思，立意新颖，也够惊悚，但剧情有跳脱感，细节处还能更好。
牛逼在意想不到的概念上，框架烂了点，题材牛逼，反向驱魔肺活量大师，讽刺得好。
本片每位演员都值得获得一年金嗓子喉宝免费额度！
故事很短小简单，还好吧不算恐怖，角度倒是蛮新奇
不要相信上帝与你同在，要相信你就是上帝。这句话告诉男主后，男主体内的上帝却被驱逐，真讽刺啊
叙事稍微有点混乱 牧师魔鬼互相嘴炮驱魔 还有结尾反转 L&S166
主题新颖，反向驱魔。
还可以，看过挺多驱魔的电影和美剧，这个内容还算挺新颖，神与魔只隔了一个信念，转瞬即可变换，全篇充斥着圣经内信仰与典故……最后神父变成了魔鬼，而之前的魔鬼变成了上帝的使者……
好喜欢，轻喜剧，高颜值，小清新，性张力也很足。本是竞争对手，天天除了打嘴炮还有心理战，却在日常的斗嘴过程中互生情愫，好像一个游戏又加了爱情的味道。和竞争对手的激烈竞争也可以成就一个更好的自己，to be a better version of ourselves。势均力敌的爱情，有点甜。
太有意思了，后半段全程爆笑，一本正经的在搞笑
不同于以往的驱魔片的模式化，编剧导演反向操作的构思确实在意料之外，细思极恐的结局又隐晦的透露给你，在这地球上，天使与恶魔的争战从未停止﹉貌似魔鬼胜了这局，但有一双眼睛早已看穿了一切﹉
最恐怖的是只拍成了一个野心大的阴谋电影.恐怖桥段设计的甚至可以把人逗乐.5.5分吧，差一点及格.
反向驱魔的设定很有意思，两边对攻式驱魔哈哈，恶魔驱逐上帝。结尾的被附身的囚犯丧尸化追着人跑让人一点都严肃不起来，笑出声了。
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