Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
虽然是个普通过时的故事，但是谁不想有一只又大又红彤彤的狗狗呢！
除了这个狗毛是红色的，我是一点也没看出新意。
如果小说就是这样的结局，我觉得也很一般。你在真的上面弄个包装，让它看起来假，就不是把真的送给日本人了？？这叫什么逻辑？
太少儿了，拉布拉多为原型的狗子也不是很戳我，不是很可爱。
开头的设定把我期待值拉满了，老先生的流浪动物收容所简直是梦境王国xxx结果看到反派出场，突然意识到后面剧情逃不脱低配版帕丁顿熊了🥲果不其然...人物感情转折啥的真的没扑够。作为儿童向勉强合格吧。小白厅中间有一段演得回归本性给里给气xxx
内容属于轻喜剧合家欢类型，讲真善美，勇敢做自己，适合小朋友
十分不喜欢这种成年人被小孩斗得团团转，居民打倒保镖团的故事
卡司设置的俗套，很低幼的故事。但是只是为了看狗狗，狗可爱，插画很好看
完全没有说服力的童话故事，彻彻底底的儿童向。所有人物都不立体，剧情扁平毫无新意，每一个情节都精准地踏在预设上索然无味。
其中有几个片段还挺搞笑的，大狗狗很可爱，小女孩也很可爱，中间还穿插了一个super crazy rich asian 的小男孩。最后的结局也很套路，站出来speak for yourself，这是从小就锻炼公开演讲能力吗？这简直是社恐的噩梦。
蛮好看的喜剧片，实拍加动画制作是很费劲的，故事很治愈，只有独一无二的人才能改变世界，每个人心中都有一种善良(大红狗的神)，而它可以战胜一切苦难。
典型好莱坞，狗狗讨人喜，故事四平八稳，人家说城市和文化的包容用这样的方式，多高妙
典型的me&you against the world 狗狗加分 puppy eyes一出心都要萌化了 但卡司过于种族正确了 虽然那也比一众白男好 今年少有的纯寓教于乐无政治导向的电影 快乐了
人类不能实现和平的原因之一便是有这种种族歧视无聊至极的烂片存在！
挺治愈的一儿童片，再度让魔法和奇迹同时降临到纽约这座城市~用一个可爱的故事讲了个简单的道理：尊重个体差异性，并要不断让自己变强大。最后Emily在公园当着众人演讲的样子，真的很有魅力！
充满爱与趣味的电影，虽然我爱狗，可我真的不想拥有这样一条巨犬，因为舔你一下就等于洗澡了，哈
average movie for kids，剧情无脑适合小孩子，演员演技还不错，舅舅太好笑了。
古董纹路的特效动画很赞，把内里和成色的编排做的非常到位，至于剧情和人物，内地电影市面上的人物设定，逻辑空乏，角色转变分分钟，滥用煽情，其实没啥有新意的地方，改编过多次的小说，到这部电影也仅仅是演员的粉丝狂欢，没啥可说道的地方。★★☆
开开心心看合家欢狗狗电影，最满足了。只要是狗狗，怎么样都可爱。
就是怎么说……剧本真的太烂了，无聊到我2倍速看的
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